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Paul Jackson

Picnic at Hanging Rock. Photo by Pia Johnson
Reviews 

Malthouse: Picnic at Hanging Rock

3 March, 201631 December, 2019 Keith Gow 0 Comments Arielle Grey, Ash Gibson Greig, Elizabeth Nabben, J David Franzke, Malthouse Theatre, Matthew Lutton, Paul Jackson

“Everything begins and ends at exactly the right time.” – Joan Lindsay, Picnic at Hanging Rock Five women appear on

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Little Mermaid. Photo by Prudence Upton
Reviews 

Malthouse: Meow Moew’s Little Mermaid

19 February, 201631 December, 2019 Jack Beeby 0 Comments Anna Cordingley, Meow Meow, Michael Kantor, Paul Jackson

Meow Meow, Australia’s wicked-witted Queen of Cabaret, dunks us deep into the underwater wonderland of her own magical mind in

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Fiddler on the Roof. Sigrid Thornton, Anthony Warlow. Photo by Jeff Busby
Reviews 

Fiddler on the Roof is one for the fans

7 January, 201631 December, 2019 Anne-Marie Peard 0 Comments Anthony Warlow, blake bowden, David Whitney, Jensen Overend, Jerry Bock, Jessica Vickers, Joseph Stein, Lior, Mark Mitchell, Monica Swayne, Nicki Wendt, Paul Jackson, Sheldon Harnick, sigrid thornton

Fiddler on the Roof is one of “those shows”. It’s frequently mentioned as people’s favourite musical, and one they were

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Antigone. Emily Milledge. Photo by Pia Johnson
Reviews 

Malthouse: Antigone

29 August, 201531 December, 2019 Anne-Marie Peard 0 Comments Aaron Orzech, Adena Jacobs, Elizabeth Nabben, Emily Milledge, Jane Montgomery Griffiths, Jethro Woodward, Josh Price, Malthouse, Paul Jackson, Sisters Hayes

In a desolate concrete yard where the only hint of humanity is a prefab building on stilts, a naked young

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Julie Forsyth & Rhys McConnochie. Photo by Jeff Busby
Reviews 

MTC: Endgame

28 March, 201531 December, 2019 Anne-Marie Peard 1 Comment Callum Mortum, Colin Friels, Eugyeene Teh, Julie Forsyth, Luke Mullins, MTC, Paul Jackson, Rhys McConnochie, Sam Strong

There’s a double page in the program for the MTC’s Endgame titled “explantion”. It’s about modernism, Absurdism and finding meaning in Samuel

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Reviews 

MTC: Ghosts

24 May, 201431 December, 2019 Anne-Marie Peard 2 Comments Ben Pfeiffer, Gale Edwards, ibsen, Linda Cropper, MTC, Paul Jackson, Philip Quast, Pip Edwards, Richard Piper, Shaun Gurton

Overwrought and underwhelming, the MTC’s Ghosts is as haunting as the Luna Park ghost train, but not as fun. The 1880s critics

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Reviews 

Malthouse: Night on Bald Mountain

11 May, 201431 December, 2019 Anne-Marie Peard 0 Comments Dale Ferguson, David Franzke, Ida Dueland Hansen, Julie Forsyth, Malthouse, Matthew Lutton, Melita Jurisic, Nikki Shiels, Patrick White, Paul Jackson

There’s the moment when you walk into a theatre and get the first look of the world you’re going to

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Reviews 

The Production Company: Gypsy

11 July, 201331 December, 2019 Anne-Marie Peard 0 Comments Adam Gardnir, Ann Wood, Caroline O'Connor, Chloe Dallimore, Christina Tan, Gemma-Ashley Kaplan, Matt Hetherington, Music Theatre, Nicki Wendt, Paul Jackson, Robert Cuddon, Stephen Sondheim, The Production Company, Tim Chappel

Caroline O’Connor stars as Rose in Gypsy. Is there anything else you need to know! If you’ve seen O’Connor perform, you

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Reviews 

MTC: The Crucible

28 June, 201331 December, 2019 Anne-Marie Peard 5 Comments Anita Hegh, Dale Ferguson, David Wenham, Grant Cartwright, John McTerran, Julia Blake, MTC, Paul English, Paul Jackson, Sam Strong, Sarah Ogden, Theatre

Arthur Miller’s The Crucible was my favourite play when I was 17 and, along with Lillian Hellman, Miller was my favourite playwright.

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Reviews 

Lorca would love this Wedding

29 July, 201231 December, 2019 Anne-Marie Peard 1 Comment David Valencia, Greg Ulfan, Irene Del Pilar Gomez, Ivan Donato, Malthouse Theatre, Mariola Silvia Colloca, Marion Potts, Matias Stevens, Nicole De Silva, Paul Jackson, Raimondo Cortese

I wonder what Federico García Lorca would think about Blood Wedding being performed in Australia 80 years after he wrote it. His

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We acknowledge the Aboriginal and Torres Strait Islander Peoples as the traditional custodians of the land. We pay our respects to their Elders, past and present. We thank them for their storytelling, music and dance, and appreciate their impact on the performing arts industry.

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