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Jane Montgomery Griffiths

Antigone. Emily Milledge. Photo by Pia Johnson
Reviews 

Malthouse: Antigone

29 August, 201531 December, 2019 Anne-Marie Peard 0 Comments Aaron Orzech, Adena Jacobs, Elizabeth Nabben, Emily Milledge, Jane Montgomery Griffiths, Jethro Woodward, Josh Price, Malthouse, Paul Jackson, Sisters Hayes

In a desolate concrete yard where the only hint of humanity is a prefab building on stilts, a naked young

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Reviews 

The Wizard of Oz — Belvoir

18 May, 201518 May, 2015 Bec Caton 0 Comments Adena Jacobs, Belvoir, Emily Milledge, Jane Montgomery Griffiths, Luisa Hastings Edge, Melita Jurisic, Paul Capsis, The Wizard of Oz

It started with a dog, in a perspex case, alone on stage. It ended with an elderly ‘Dorothy’ (Eileen Kramer)

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Reviews 

Malthouse: Frankenstein

27 March, 201431 December, 2019 Anne-Marie Peard 0 Comments Dana Miltins, David Paterson, Emily Milledge, Emma Valente, Jane Montgomery Griffiths, Kate Davis, Malthouse, Mary Helen Sassman, The Rabble

My uterus is still reacting to The Rabble’s Frankenstein. I say it every time, but no one makes theatre like

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Reviews 

Story of O: Oh yes, yes, yes

3 July, 201331 December, 2019 Anne-Marie Peard 2 Comments Dana Miltins, Emily Milledge, Emma Valente, Gary Abrahams, Jane Montgomery Griffiths, Kate Davis, Mary Helen Sassman, MTC, Pier Cathew, The Rabble, Theatre

Carousel ponies, huffy walk-outs and a personal trigger warning when you pick up your ticket: The Rabble have adapted the Story

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Reviews 

Malthouse: Wild Surmise

22 November, 201231 December, 2019 Anne-Marie Peard Dorothy Porter, Humphrey Bower, Jane Montgomery Griffiths, Malthouse Theatre, Marion Potts, Theatre, verse

Jane Montgomery Griffiths says her adaption of Dorothy Porter's 2004 verse novel Wild Surmise “is an enactment of the act of love

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Reviews 

Hamlet and Faustus mash up

8 October, 201231 December, 2019 Anne-Marie Peard 0 Comments Brett Ludeman, David Davalos, Ezra Bix, Jane Montgomery Griffiths, Josh Price, Olga Makeeva, Red Stitch, Theatre

Hamlet, philosophy, temptation, indulgences (the paid for kind), Banksy rats, coffee and the quill. Welcome to Wittenberg, Germany, 1517, and Red

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Reviews 

Good People – a terrific start to 2012

11 February, 201231 December, 2019 Anne-Marie Peard 1 Comment Alexandria Steffensen, Andrea Swifte, David Lindsay-Abaire, Dion Mills, Jane Montgomery Griffiths, Kaarin Fairfax, Red Stitch Actors Theatre, Rory Kelly

Good People was nominated for Best Play at the 2011 Tony’s.  It’s damn good writing by David Lindsay-Abaire, and the Australian premiere by

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We acknowledge the Aboriginal and Torres Strait Islander Peoples as the traditional custodians of the land. We pay our respects to their Elders, past and present. We thank them for their storytelling, music and dance, and appreciate their impact on the performing arts industry.

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