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Dean Bryant

Features 

Talking My Brilliant Career with Dean Bryant and Mathew Frank

11 October, 201931 December, 2019 Gabi Bergman 0 Comments Australian musical, Dean Bryant, Mathew Frank, MLIVE, Monash university, Monash University Academy of Performing Arts, My Brilliant Career

Australia in the 1890s – a time where a woman’s role was that of a housewife. But young Sybylla wants

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News 

Discussing Key Changes with Dean Bryant

8 May, 201931 December, 2019 Gabi Bergman 0 Comments Cabaret, Dean Bryant, Key Changes, MLIVE, Monash

Presented by the Centre for Theatre and Performance, Key Changes is a cabaret collaboration between Monash University’s Music Theatre students

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David Campbell in Assassins at Hayes Theatre Co
News 

Assassins to play Sydney Opera House season

5 March, 201831 December, 2019 Erin James 0 Comments Andrew Hallsworth, Bobby Fox, David Campbell, Dean Bryant, Hayes Theatre Co, Sydney Opera House, Theatre

Hayes Theatre Co’s critically acclaimed 2017 production of Assassins, will play a season at Sydney Opera House Playhouse this June,

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Born Yesterday. Photo by Jeff Busby
Reviews 

MTC: Born Yesterday

21 January, 201731 December, 2019 Keith Gow 0 Comments Christie Whelan, Dean Bryant, Joel Jackson, Matthew Frank, Melbourne Theatre Company, Russell Dykstra

A tycoon moves to Washington DC to use his money to influence politics and politicians.   When the Melbourne Theatre

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Little Shop of Horrors - QPAC
Reviews 

Little Shop Open for Business

12 June, 201631 December, 2019 Jemma Lanyon 0 Comments Brent Hill, Dean Bryant, Esther Hannaford, Little Shop of Horrors, Music Theatre, Musical, Puppetry

Quintessential nice guy Seymour works in a failing florist on skid row. He is hapless, invisible and helplessly in love

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Reviews 

Melbourne season: Little Shop of Horrors

6 May, 201631 December, 2019 Anne-Marie Peard 0 Comments Alan Menken, Andrew Hallsworth, Andrew Worboys, Angelique Cassimatis, Brent Hill, Chloe Zuel, Dash Kruck, Dean Bryant, Esther Hannaford, Howard Ashman, Josie Lane, Kuki Topoki, Owen Phillips, Ross Graham, Scott Johnson, Tim Chappel, Tyler Coppin

The only down side of the Little Shop of Horrors Melbourne season is that it’s only three weeks. The sci-fi schlock musical

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Caroline O'Connor and members of the female ensemble in Anything Goes. Image by Belinda Strodder
Reviews 

Anything Goes – Melbourne

4 June, 201531 December, 2019 AussieTheatre 0 Comments Alex Rathgeber, Andrew Hallsworth, Caroline O'Connor, Claire Lyon, Dean Bryant, Josh Gates, Todd McKenney, Wayne Scott Kermond

Caroline O’Connor is ENORMOUS. Not in stature – she’s tiny – but in talent and presence. As Reno Sweeney in

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Reviews 

Sweet Charity Melbourne season

27 February, 201531 December, 2019 Anne-Marie Peard 0 Comments Andrew Hallsworth, Andrew Worboys, Dean Bryant, Deborah Krisak, Kate Cole, Martin Crewes, Owen Phillips, Ross Graham, Tim Chappel, Verity Hunt-Ballard

“There’s gotta be something better than this.” I don’t think so. This time last year, new independent company Hayes Theatre

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Giveaways 

Win a double pass to Gaybies at the Darlinghurst Theatre Company

18 January, 201531 December, 2019 Matt Edwards 0 Comments Darlinghurst Theatre Company, Dean Bryant, Eternity Playhouse

AussieTheatre has two double passes to giveaway to Darlinghurst Theatre Company’s production of Gaybies at the Eternity Playhouse on 6 February at 8pm. Gaybies

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The female ensemble of Sweet Charity at Hayes Theatre Co. Image by Kurt Sneddon
News 

Helpmann Award winning Sweet Charity to tour in 2015

21 October, 201431 December, 2019 Cassie Tongue 0 Comments Dean Bryant, Hayes Theatre Co, Sweet Charity, Verity Hunt-Ballard

If her friends could see her now! The smash debut production at Sydney’s new Hayes Theatre Co rocked the musical

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AussieTheatre.com is an interactive theatre and arts platform servicing the Australian performing arts community and theatre-going public. Our aim is to create an engaging and informative platform that supports an appreciation of artists and the Australian arts industry.

We acknowledge the Aboriginal and Torres Strait Islander Peoples as the traditional custodians of the land. We pay our respects to their Elders, past and present. We thank them for their storytelling, music and dance, and appreciate their impact on the performing arts industry.

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