Peeping Tom’s Le Salon is another amazing show from Belgium. It’s my pick of the 2009 Melbourne International Arts Festival and may yet be my favourite show of the year.
Peeping Tom and the Melbourne International Arts Festival
the Arts Centre, Playhouse
Friday 23 October 2009
Physical theatre never sounds as arty as dance, but Peeping Tom have melded theatre with music and dance to create something original, intimate and almost excruciatingly personal.
With themes and glimpses of loss and decline in the most ‘normal’ of lives, it maintains a throat-tightening sense of melancholy, whilst offering a parallel sense of dark humour and even hope. From an old man’s botched suicide to the woman who may have lost her baby to a woman who has lost her sexuality, Le Salon is like spying on your friends and seeing their deepest hidden fears and secrets – and remembering why we all leave some things unsaid.
And the dance. Oh my. I’ve not seen anything like it. At times, it seemed inhuman, like broken bodies forced into unnatural positions by malevolent gods, but it was fluid and as controlled as the most prima of ballerinas. And it showed how unnecessary words are. The visceral reaction was as potent as re-living the times when I’d felt or witnessed such despair, fear and loss.
This short season claims to be the last performances of Le Salon, as Peeping Tom develop each new work based on their last. It hurts to know that this won’t be seen for years to come, but how wonderful to know that something new is being created from it. And please bring it to Australia – or I’m coming to Belgium to see it.
Season Closed
Producers have announced casting for the Australian debut of the Olivier Award nominated THE SHARK…
Hope Mill Theatre and Chris Harper Productions in association with Lowry are delighted to announce…
Drugs, guns and burning lust. Victorian Opera’s striking new production of The Coronation of Poppea…
One of Australia’s most acclaimed directors, Sarah Goodes (Who’s Afraid of Virginia Woolf, Julia, The…
Fresh from presenting Yentl in London and now celebrating the success of Eurydice at forty…
The Tony Awards are never just about who gave the best performance or which production…