Categories: Reviews

iPad Theatre

We have such intimate relationships with the too-many screens in our lives. I’m not brave enough to try a screen-free day; I even read books on screen. Theatre is one place that they get turned off and we share an experience with a room of people. But Alma Mater claims to be the first iPad theatre and you’re handed a screen when you arrive and sent into a small white room by yourself.

Alma Mater. Photo by Eilidh MacAskill

The Arts House program continues to challenge our perceptions of performance and encourages artists to find new ways to reach us. The idea of Alma Mater is that you’re looking at the room through the digital screen, like a camera, and move around the room lining the screen up with the room  bed and seat. Then as you turn around two pairs of shoes appear on the floor…

I was nervous and expecting something creepy and told myself that I could just look away from the screen if I wanted it to stop. I never did because a gorgeous little girl in a stripey jumpsuit is in the room and looking at me. Over the next 20 minutes, the on-screen room changes as she plays and we see her family and friends as she does in her imagination.

It is a little bit creepy, but all fairy tales should be as they’re created in a dark subconscious world where the rules don’t apply.

I wonder if taking the story out of the room breaks the illusion, but there wasn’t a moment when I wasn’t glued to the screen because I didn’t want to remember that I was really alone in white box.

Fish & Game are Robert Walton (from Melbourne) and Eilidh MacAskill (from Glasgow), who are based in Scotland.  With original music by John de Simone, performed by Ensemble Thing and Cinematography by Anna Chaney, this is much more than watching a video on YouTube. Being glued to a screen is easy, but this is a much more personal experience. The characters see you and make you react and move, and even as the mere recorder of the girl’s story, you become part of it.

Alma Mater takes watching a screen beyond the passive ease of entertainment and into the active world of heart-awakening, brain-engaging art.

It’s only 20 minutes and there are performances every ten minutes from 2pm to 9pm (Wednesday to Sunday). There’s plenty of parking near the North Melbourne Town Hall or the 57 tram will drop you at the door.

More of Anne-Marie’s writing is at sometimesmelbourne.blogspot.com

Anne-Marie Peard

Anne-Marie spent many years working with amazing artists at arts festivals all over Australia. She's been a freelance arts writer for the last 10 years and teaches journalism at Monash University.

Recent Posts

Uncle Fester’s earnest heart: Evan Lever on THE ADDAMS FAMILY

The Addams Family has endured for generations by holding two things in tension: it's a…

20 hours ago

When Full Houses Are Not Enough, Broadway Has a Bigger Problem

The early closure of CATS: THE JELLICLE BALL is not evidence that audiences have abandoned…

21 hours ago

Nicholas Bailey & Susan Penhaligon To Star In The 75th Anniversary UK Tour Of Agatha Christie’s THE MOUSETRAP

Producer, Brian Fenty, is delighted to announce that Nicholas Bailey and Susan Penhaligon will star…

1 day ago

‘Hadestown’ Welcomes Kelly Belarmino, KC Dela Cruz and Khori Michelle Petinaud as New Fates

Broadway’s Hadestown has introduced a new trio of Fates, with Kelly Belarmino, KC Dela Cruz…

2 days ago

Bill Pullman Returns to the Stage for RSC’s THE CHERRY ORCHARD

Veteran Hollywood actor Bill Pullman is returning to the theatre for the first time in…

2 days ago

Testimony, Myth, and Survival: Rajan Velu on THE JUNGLE AND THE SEA

The Jungle and the Sea traces one family's journey through Sri Lanka's decades-long civil war,…

2 days ago