Categories: Reviews

Bell Shakespeare: The Dream

The Dream is Bell Shakespeare’s reworking (or should one say reawakening) of Shakespeare’s A Midsummer Night’s Dream.

Photo by PrueVercoe

Set in what looks like the interior of a decomposed ship, the work is playful, rhythmic and led by a strong cast of experienced actors.

For those familiar with the original work, The Dream is framed by the mechanicals, characters who are preparing to perform the play-within-a-play entitled Pyramus and Thisbe. Things become surreal when these players begin their rehearsal in the woods, a location in which four Athenian lovers also find themselves. Tricked, controlled and manipulated by the fairies who inhabit the forest, hilarious chaos ensues.

The performance is characterised by its energy and athleticism. But it is Julie Forsyth’s Puck, the fairy trickster, that really stands out. From her cheeky rapport with the audience, to her physicality and skill with the text, Forsyth’s voice drifts into the auditorium and lulls us into the illusion of the fairy dream-world.

Similarly, Ray Chong Nee stands as a powerful Oberon, the king of the fairies not to be reckoned with. His powerful baritone voice traverses the stage and infuses the rhythm of the text with authority and determination. Nikki Shiels (Helena) and Lucy Honigman (Hermina) are striking as they shift back and forth between the extremes of hatred and love with their male counterparts Jonny Carr (Demetrius) and Gareth Reeves (Lysander). And who could forget Richard Piper as Bottom, an eager mechanical who believes greatly in his own capacity as a performer.

The set is minimalistic, using overturned chairs and tables to establish different scenes quickly and effectively. The direction (Peter Evans) is tight and strong with well-choreographed freeze-frames and scene transitions, so that the rhythm of the work is never lost. The play is acutely well-made and for this reason it’s tough to view the production in a negative light. It achieves what it set out to do: an hilarious exposition and condensing of an original Shakespearean text and it’s highly entertaining.

James Jackson

Recent Posts

Full Cast announced for Disney’s HIGH SCHOOL MUSICAL

Hope Mill Theatre and Chris Harper Productions in association with Lowry are delighted to announce…

8 hours ago

Victorian Opera presents The Coronation of Poppea

Drugs, guns and burning lust. Victorian Opera’s striking new production of The Coronation of Poppea…

9 hours ago

Kat Stewart and director Sarah Goodes reunite for gripping Australian drama

One of Australia’s most acclaimed directors, Sarah Goodes (Who’s Afraid of Virginia Woolf, Julia, The…

17 hours ago

Interview with Gary Abrahams

Fresh from presenting Yentl in London and now celebrating the success of Eurydice at forty…

1 day ago

The Tony Awards Are Not About Numbers, They Are About The Story Broadway Wants To Tell

The Tony Awards are never just about who gave the best performance or which production…

2 days ago

30 years in the making, Opera Australia’s milestone tour of a Mozart masterpiece: Don Giovanni

Marking three decades of Opera Australia’s national touring program, the 2026 tour of Michael Gow’s…

2 days ago