A Catch of the Breath
This attentive piece of theatre based on the poetry of Michael Thwaites is not only moving but imaginative. This is an inspiring piece that wears its heart on its sleeve.
Co-presented by Metro Arts and Robert ThwaitesSue Benner Theatre, Edward St, Brisbane Wednesday 18th of August 2010
This attentive piece of theatre based on the poetry of Michael Thwaites is not only moving but imaginative. This is an inspiring piece that wears its heart on its sleeve.
The entertainment level had its ups and downs, but the performances and space were always saturated by a beautiful awareness.
Creator Robert Thwaites is the grandson of Brisbane-born poet, Michael Thwaites (1915 – 2005). Thwaites was the first Australian to win the Newdigate Prize and the King’s Gold Medal for poetry and served as a naval officer in World War II. His poetry draws on our fear of mortality, the wonders of nature and the footprint we leave behind.
With a talented cast of four, and a mastermind behind-the-scenes creative team, Robert Thwaites has been able to convey his grandfather’s poetry in a striking style. The intense physicality and stunning soundtrack were its strengths. As Emma Che Martin read a gorgeous poem about how a special person made her appreciate the green of the grass and the blue of the sky, the other performers played out a repetitive square dance representing the monotonous schedule of daily life. Backing them was a delightful tune by Chris Perren. In more forceful moments, when the cast played out a high-energy interchange with a jacket, Jeremy Neideck supplied bold sound design.
Set and prop choices were distinct and used effectively. A living room full of books and old furniture set the scene for what I gathered was four adults arriving “home” to pay tribute to their late father or grandfather. Many set changes throughout the 50 minutes mostly helped keep the pace energetic, although there were some lulls. It was a slow beginning as the cast entered the set, and a slightly dragged out ending.
The actors showed a great sensitivity for Thwaites’ poetry and represented individual styles. Che Martin read poetry tenderly and in general had a lovely softness about her. The dynamic Peta Ward bounded off David Pawsey in a great physical scene. Pawsey dominated other fellow male actor Robbie O’Brien but it was balanced nicely within the context.
Interesting lighting techniques by Hamish Clift co-ordinated seamlessly with the sound. The use of shadows provoked an attentiveness to this thorough and well thought out production.
The hard work that would have gone into this performance oozes from its atmosphere. I marvel at Robert Thwaites’ mind’s eye and his interpretation of such wonderful poetry, which I am sure is very close to his heart.
A Catch of the Breath is a chance to experience something different and leave with something to think about. Until the 4th of September 2010 Bookings at www.metroarts.com.au
Kellie Scott, 20 August 2010.