Review: The Seagull
When a work is immortalised as a classic, it is because the story portrayed continues to speak to new generations
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Reviews
Adelaide Festival: Beauty and the Beast
There is nothing like falling into a great fairy-tale, and we have a real beauty here, and it’s about as
Read MoreAdelaide Festival: Cedar Lake Contemporary Ballet – Mixed Rep and Orbo Novo
Cedar Lake Contemporary Ballet Company comes to the 2015 Adelaide Festival of Arts with a big reputation. It needs to
Read MoreAdelaide Festival: Dylan Thomas – Return Journey
In this gently rambling poetic hour and a bit, actor Bob Kingdom is Dylan Thomas. He doesn’t move around the
Read MoreReview: Wicked Soars with Standing Ovation
With over ninety international awards, Wicked is the jewel in the crowning glory of composer Stephen Schwartz’ musical canon, which
Read MoreAdelaide Festival: Late Night in the Cathedral: Passio
Arvo Pärt is one of the most enduring revolutionary composers of choral and instrumental music of the 20th century. Carl
Read MoreQueen Bette, G.bod theatre
“The Queen has no hour for love…” With a crash of glass Bette takes the stage. She is a volatile
Read MoreAdelaide Festival: Nufonia Must Fall
Nufonia Must Fall is a clever, engaging fusion of film making, puppetry, live music and DJ mixing. It is a
Read MoreReview: Songs not to Dance to, Riverside
Choreographer-dancers Martin del Amo (Sydney) and Phil Blackman (Lismore) collaborated on Songs not to dance to after an exchange program
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