Torch Singer and Story-teller par excellence – interview with Caroline Nin

13 years ago

Recently Aussie Theatre's Jan Chandler had the pleasure of speaking with Parisian chanteuse Caroline Nin who is about to return…

A Queer Conversation

13 years ago

On a warm sunny day in Brisbane (remember those?) a panel was assembled on the Turbine Platform at the Powerhouse…

The Lion King auditions – submissions open

13 years ago

Update: May 9, 2013 The Lion King Sydney tickets are now on sale through Ticketmaster: BUY TICKETS - THE LION…

Goodbye Bruce, or Hello new beginnings

13 years ago

Hello everyone and welcome to the weird and wonderful workings of my mind after three weeks of Philippe Gaulier. Let’s…

Adelaide Festival: Dirtday!

13 years ago

The Playhouse stage floor twinkles - illuminated by a multitude of low lit candles, a small standing screen promises images,…

Adelaide Festival: The Strange Undoing of Prudencia Hart

13 years ago

A bar in Adelaide’s German Club is the setting for the National Theatre Of Scotland’s production of The Strange Undoing…

Propel (the next step)

13 years ago

Propel (the next step), presented by Expressions Dance Company (EDC) is a double-bill program showcasing the developing works of emerging…

A Gripping and Gruesome Double-Bill: Bluebeard’s Castle and The Wooden Prince by Béla Bartók

13 years ago

Nearly a century after Bluebeard’s Castle premiered at the Budapest Opera in 1918, in a double-bill with The Wooden Prince,…

It’s a riot: Orpheus in the Underworld – Opera Australia

13 years ago

Opera Australia's Orpheus in the Underworld proves that sometimes the best laughs are the cheapest. When Todd McKenney strikes John Travolta’s…

Win tickets to OperaMania, Sydney

13 years ago

AussieTheatre has a double pass (valued at $270) to give away to OperaMania - a brand new production presented by…