Categories: Reviews

Unseen: A tribute to Marni Nixon – Adelaide Cabaret Festival

The history of musical films is a mysterious thing. While on-screen action often demands that audiences suspend their disbelief, off-screen commonalities, like voice dubbing, were rarely treated with the same level of candour. As such, the magical, iconic and diverse voice of Marni Nixon was hidden for years behind a curtain of confidentiality clauses. Nevertheless, Marni Nixon is the voice of the stars, the voice behind the curtains, and the voice that has immortalised so many classic musical theatre songs.

Known as ‘the voice of Hollywood’, Marni Nixon’s story is not so well publicised as her on-screen counterparts’ (Audrey Hepburn, Marilyn Monroe, Natalie Wood and Rita Moreno to name a few). Melody Beck’s new cabaret ‘biopic’ Unseen: A tribute to Marni Nixon tells this fascinating and important story.

Melody Beck. Image by Blueprint Studios

Melody Beck, winner of the 2014 Your Theatrics International Cabaret Contest, debuted her new show in front of audiences at the Adelaide Cabaret Festival. The initial 10 minutes of Unseen: A tribute to Marni Nixon delivered upon the promise of a fascinating story and a strong musical talent. The twinkle in Melody Beck’s eyes primed the audience for an intimate and engaging musical journey. Unfortunately, it quickly became apparent that many elements in this highly anticipated production were grossly underdone.

The combination of nerves and under-preparation left the audience feeling awkward, wishing for Beck to re-find her rhythm of the first 10 minutes. Beck clumsily stumbled through much of the dialogue and her accents became muddled between character transitions. The piano was too quiet for the Artspace and the production would have benefitted from a follow-spot, as much of the action took place in darkness.

Thankfully, Beck’s musical prowess was the saving grace of a production that failed to reach it’s potential. The medley of Shall We Dance, I Could Have Danced All Night, and Tonight was spectacular, but by then, the twinkle in her eyes was lost.

I have no doubt that Unseen: A Tribute to Marni Nixon will develop into an excellent cabaret show. The story is strong and engaging, and Melody Beck clearly has the goods. More work with a director is required to take the show to the next level. Watch out Queensland – she’s coming to you next and by then I’d expect a stellar performance.

Rowan James

Recent Posts

BURLESQUE THE MUSICAL Postpones West End Run to 2027 and Delays UK Tour Opening

The musical will now launch its national tour in Sunderland on 6 August, with its…

10 hours ago

Uncle Fester’s earnest heart: Evan Lever on THE ADDAMS FAMILY

The Addams Family has endured for generations by holding two things in tension: it's a…

2 days ago

When Full Houses Are Not Enough, Broadway Has a Bigger Problem

The early closure of CATS: THE JELLICLE BALL is not evidence that audiences have abandoned…

2 days ago

Nicholas Bailey & Susan Penhaligon To Star In The 75th Anniversary UK Tour Of Agatha Christie’s THE MOUSETRAP

Producer, Brian Fenty, is delighted to announce that Nicholas Bailey and Susan Penhaligon will star…

2 days ago

‘Hadestown’ Welcomes Kelly Belarmino, KC Dela Cruz and Khori Michelle Petinaud as New Fates

Broadway’s Hadestown has introduced a new trio of Fates, with Kelly Belarmino, KC Dela Cruz…

2 days ago

Bill Pullman Returns to the Stage for RSC’s THE CHERRY ORCHARD

Veteran Hollywood actor Bill Pullman is returning to the theatre for the first time in…

2 days ago