Categories: Reviews

The Horror Face

 MKA co-founder Glyn Roberts needed to create a company that would champion his writing and let us see his magnificently warped view of the too-close-for-comfort future.

Presented by: MKAVenue: MKA Pop Up Theatre, Melbourne Thursday, 23 June, 2011 MKA co-founder Glyn Roberts needed to create a company that would champion his writing and let us see his magnificently warped view of the too-close-for-comfort future. The Horror Face has the best lion ever on a stage and play three of season one 2011 proves again that MKA are a shot of adrenalin into the heart of Melbourne’s independent theatre.
To prepare for your drugs, you have to put on a disposable lab coat to enter the Pop Up Theatre, where the plastic walls make it feel far too much like Dexter has prepared another kill room, and the only comfort is that at least one of us must survive to tell the tale…if the downstairs door isn’t locked. Designer David Samuel is the morphine that takes away the pain of dull design.
And Robert’s fearless writing is the amphetamines that force his audience to pay wide-eyed attention to his dystopian world where humans will connect if it’s the last think they do. His language dances and trips with the likes of “Armageddon again” and his offstage images are more disturbingly hilarious than the ones on stage. It’s more cohesive than his dark Christmas story This is set in the future and this time he’s letting the characters lead the action, rather than relying on the surreal and shocking world.
With director Felix Ching Ching Ho balancing the uppers and downers with a tone that rolls from prophetic to confronting, Soren Jensen, Annie Last, Brendan McCallum and Matt Young grab their multiple roles by their delicate bits and ensure that there’s only just enough time to draw a breath in between laughs. But in such small room, don’t let the audience know how much you’re loving this performance. When we glimpse the actor behind the character, their struggle and confusion becomes less powerful.
MKA’s The Horror Face is selling out most nights, but if you book now you’ve got until the end of the week to join the MKA cheer squad. And you’ll get to see a gay android and Andrew the lion puppet, who may well be my new favourite performer; Aslan sucks in comparison.
Until 9 July, 2011 www.mka.org.au

Anne-Marie Peard

Anne-Marie spent many years working with amazing artists at arts festivals all over Australia. She's been a freelance arts writer for the last 10 years and teaches journalism at Monash University.

Share
Published by
Anne-Marie Peard

Recent Posts

Full Cast announced for Disney’s HIGH SCHOOL MUSICAL

Hope Mill Theatre and Chris Harper Productions in association with Lowry are delighted to announce…

6 hours ago

Victorian Opera presents The Coronation of Poppea

Drugs, guns and burning lust. Victorian Opera’s striking new production of The Coronation of Poppea…

7 hours ago

Kat Stewart and director Sarah Goodes reunite for gripping Australian drama

One of Australia’s most acclaimed directors, Sarah Goodes (Who’s Afraid of Virginia Woolf, Julia, The…

14 hours ago

Interview with Gary Abrahams

Fresh from presenting Yentl in London and now celebrating the success of Eurydice at forty…

1 day ago

The Tony Awards Are Not About Numbers, They Are About The Story Broadway Wants To Tell

The Tony Awards are never just about who gave the best performance or which production…

1 day ago

30 years in the making, Opera Australia’s milestone tour of a Mozart masterpiece: Don Giovanni

Marking three decades of Opera Australia’s national touring program, the 2026 tour of Michael Gow’s…

2 days ago