Categories: Reviews

Sherie Rene Scott – a shining star of the Adelaide Cabaret Festival

Sherie Rene Scott

On the opening weekend of the Adelaide Cabaret Festival, we saw a real life Disney princess (Lea Salonga). By the closing weekend, we have come full circle with a real life Disney villian. Sherie Rene Scott might have voiced Ursula in Disney’s The Little Mermaid, but this is just a drop in her illustrious career which includes theatre, recordings, producing, etc.

Although apologising for not being in full voice and containing perhaps a few “opening night” nerves, Scott has a captivating presence on stage. Backed only by a pianist and bass player, the audience is taken on a strange journey through a life of vegetarianism, opposable thumbs, Paul McCartney and the Dalai Lama. It’s a kooky story that takes a little while to settle, but keeps you on the edge of your seat with intrigue.

The story is interspersed with a range of songs, filled with soul and a strong connection with the text. In a festival full of broadway standards, Scott’s set list is refreshingly full of lesser known pieces that have a central heart and emotion that continues to draw us in.

[pull_left]Sherie Rene Scott was a fitting finale to a fantastic festival and the cherry on the the broadway superstar treats we’ve indulged upon this year[/pull_left]

The quirky banter and fragility of Scott coupled with a sexy, sultry “knowingness” is a magical combination and her vocals soar to heights of musical enlightenment (she is buds with the Dalai Lama after all).

A shout out must go to Alana Dawes on bass, one of the many musos provided by the Adelaide Art Orchestra. Dawes has a appeared in a couple of shows and is a joy to watch, evidently a superb musician and demonstrates a real connection to the music, which is thrilling.

Difficult to describe yet every bit captivating, Sherie Rene Scott was a fitting finale to a fantastic festival and the cherry on the the broadway superstar treats we’ve indulged upon this year.

Hayley Horton

Hayley was an arts worker in South Australia for twelve years working freelance for small to medium clients as well as for companies such as the Adelaide Symphony Orchestra, State Theatre Company SA, Urban Myth Theatre of Youth and the Australia Business Arts Foundation. As part of her freelance work, Hayley founded the ATG Curtain Call Awards (which is now an annual gala event), co-produced three 24 Hour Show charity fundraiser events, has judged for the Adelaide Fringe Festival and reviewed for Aussie Theatre and the Adelaide Theatre Guide. Hayley now runs a boutique events and arts management business, Footlight Events and in her spare time, is involved with Adelaide’s amateur theatre community as a producer, performer and director.

Recent Posts

ROYO presents POLICE COPS THE MUSICAL Workshop Presentations at Battersea Arts Centre

Following a sell-out run at the 2024 Edinburgh Fringe, two riotous hit-runs at Southwark Playhouse…

14 hours ago

BURLESQUE THE MUSICAL Postpones West End Run to 2027 and Delays UK Tour Opening

The musical will now launch its national tour in Sunderland on 6 August, with its…

2 days ago

Uncle Fester’s earnest heart: Evan Lever on THE ADDAMS FAMILY

The Addams Family has endured for generations by holding two things in tension: it's a…

3 days ago

When Full Houses Are Not Enough, Broadway Has a Bigger Problem

The early closure of CATS: THE JELLICLE BALL is not evidence that audiences have abandoned…

3 days ago

Nicholas Bailey & Susan Penhaligon To Star In The 75th Anniversary UK Tour Of Agatha Christie’s THE MOUSETRAP

Producer, Brian Fenty, is delighted to announce that Nicholas Bailey and Susan Penhaligon will star…

3 days ago

‘Hadestown’ Welcomes Kelly Belarmino, KC Dela Cruz and Khori Michelle Petinaud as New Fates

Broadway’s Hadestown has introduced a new trio of Fates, with Kelly Belarmino, KC Dela Cruz…

3 days ago