Doctors don’t listen, doctors keep us waiting, doctors work too hard or not hard enough … What is going on in The Eternity Waiting Room of the Parkside General Practice operated by GP The Musical?
There are lessons to be learnt here, insights to be made, but whom to believe: the patient extolling the virtues of the naturopath or the doctor debunking them? Is for real or just a great big spoof? Well, to find out, you’ll just have to go along and be prepared for the talents of a group of real GPs who, with a little soft shoe shuffle, attempt to gain some relief from the trials of general practice.
This could not have been an easy task as, having succeeded at auditions, the final cast of ten came from as far afield as Daylesford, Lakes Entrance, Sydney, Canberra and Byron Bay. Coordinated by playwright Dr Genevieve Yates and co-writer Dr Gerard Ingham, one can only hope their patients weren’t actually being neglected in the process, as illustrated in the songs, ‘You Don’t Listen to a Thing I Say’ and ‘Stop Your Complaining’.
According to the musical, some patients find the waiting time intolerable, while others, it seems, treat it like a second home using doctors as confidantes with time to spare to listen to endless grievances and “tears and smears.”
Each episode is illustrated with a song and dance routine, with some catchy numbers like “I’d Like to See You One More Time” danced in top hat and tails, Fred Astaire style, by the disreputable Dr White, aka Dr Edmund Poliness from Geelong.
But where the major belly laugh or the 150 adult audience emanated from? Age shall not weary poo jokes and the more the character, Nigel Black, illuminated his carefully documented bowel motions, the more we laughed. So much for sophisticated Melbourne, but perhaps more of the same, to wit, Billy Connolly’s hilarious depiction of the prostate examination, would have added even more hysteria to this production which erred, if anything, on the conservative side.
Hope Mill Theatre and Chris Harper Productions in association with Lowry are delighted to announce…
Drugs, guns and burning lust. Victorian Opera’s striking new production of The Coronation of Poppea…
One of Australia’s most acclaimed directors, Sarah Goodes (Who’s Afraid of Virginia Woolf, Julia, The…
Fresh from presenting Yentl in London and now celebrating the success of Eurydice at forty…
The Tony Awards are never just about who gave the best performance or which production…
Marking three decades of Opera Australia’s national touring program, the 2026 tour of Michael Gow’s…
View Comments
I just LOVED this show. Was dragged along by a friend (who had a friend in the show) and had pretty low expectations, but I was blown away. This was a very multi-layered show - sure there were the poo jokes which got a good laugh and a few groan-worthy corny lines, but what appealed to me was the more subtle and sometimes highly sophisticated wit in the script and lyrics. Obviously this higher level stuff went over the heads of many (including this reviewer, from the sounds of it). And it wasn't all comedy - had really poignant, dramatic moments. The song in the middle (the sad one, with the cello), was so beautifully sung and played. The expression on the doctor's face as she sung it moved my friend to tears. Not so keen on the "specialists aren't special" line though, being a specialist myself, but I'll forgive them that.