Categories: Reviews

Magpie Blues

In Magpie Blues, singer and storyteller Ursula Yovich fills the Forum theatre with her voice and her heart.


 MELBOURNE INTERNATIONAL ARTS FESTIVAL 2010
MIAFForum Theatre, Melbourne Tuesday, 12 October, 2010 In Magpie Blues, singer and storyteller Ursula Yovich fills the Forum theatre with her voice and her heart.
With a four-piece band, her smooth soul voice and open soul bring life to song choices that are a bit classic fm radio, but it does mean that her audience (including myself) know them and can safely hum along. There’s safety and comfort in her song choices, but she doesn’t hold back with her story.
A magpie is a black and white gorgeous singing bird and Ursula’s totem animal. Brought up in Darwin, she’s a self-proclaimed Serborigine with an Arnhem Land mother and Serbian father. Ursula didn’t think there was anything different about this until she was placed in an ESL class in primary school because she spoke English with a Serbian accent. Between songs she tells evocative stories like fossicking for gold in Humpty Doo and only finding old Coke cans, singing Bony M songs with her mum in Burada, one of the Maningrida family of languages, and receiving letters from her Serbian grandmother with the handprints of her cousins.
It wasn’t a straight road from singing in her bedroom to winning Helpmann Awards. Her mum left when she and her siblings were young and much of the second half of the show is about Ursula’s re-connection with her Aboriginal culture, prompted when she was called a white fella in Maningrida, where she was born.  Speaking three languages, Ursuala knows how quickly connection to language can be lost and how this is connected to loss of culture.
Having experienced far too many young deaths in her immediate family, Ursula openly and bravely talks about the suicide of her young niece and how there is no stronger sign of damaged culture than young people killing themselves. An old Maningrida aunty told her that is didn’t used to be like this, that young people used to be proud of their strong culture.
Guided by director Wesley Enoch, Ursula reminds us how important it is to tell our stories; those from our childhood living rooms and those of our most far-reaching families. Without these real and lived stories, memories and cultures will continue to disappear and we become a much lesser society for that.
season finishedwww.melbournefestival.com.au

Anne-Marie Peard

Anne-Marie spent many years working with amazing artists at arts festivals all over Australia. She's been a freelance arts writer for the last 10 years and teaches journalism at Monash University.

Share
Published by
Anne-Marie Peard

Recent Posts

Leading artists join Flinders Drama Centre for new performance development

During June and July, Flinders Drama Centre is bringing together internationally recognised and nationally significant…

4 hours ago

ANNOUNCING Strut & Fret’s first hospitality venue, INTERMISSION

Located right in front of The West End Electric in Brisbane’s bohemian West End, Intermission…

4 hours ago

Arts Centre Melbourne presents the Victorian premiere for New Owner, The Last Great Hunt

The Last Great Hunt, New Owner, in Melbourne for the first time, for a listing in Aussie…

4 hours ago

SAVAGE A New Play By Jonathan Harvey Inspired By The Life Of Paul O’Grady To Have World Premiere Starring Danny Beard

Producers ROYO, Curve, Hope Mill Theatre and Eilene Davidson are delighted to announce the world…

4 hours ago

So… Who are the Tonys for, anyway?

Watching the Tony Awards from Melbourne on a public holiday morning is a particular kind…

11 hours ago

The Ultimate Vegas Show AND Mad Hatter’s Tea Party

Step into the glitz, glamour and electrifying spectacle of Las Vegas as The Ultimate Vegas…

13 hours ago