Categories: Reviews

Foxholes of the Mind

Foxholes of the Mind is a heart-wrenching account of the loss suffered by men and women who return home from war and the families they return home to.

The setting is present day where Frank (Peter Finlay), a Vietnam War veteran, is struggling to keep his marriage to the long-suffering Trish (Joanne Davis) together. What’s clear from the outset is that Frank’s drinking and outbursts have marred family life leading to everyone being estranged from him. Frank starts a therapy group for veterans and nurses suffering Post Traumatic Stress Disorder and, as the characters unravel, we see to the tragic extent to which war scars those that serve.

While watching this play, it struck me that what men and women lose at war is an innocence and morality that propels most of us forward everyday and makes us feel okay about ourselves. Imagine waking up every morning knowing you had killed another human being and witnessed your mates dying. As this candid piece demonstrates, it’s an unbearable weight that manifests in mental disorders, abusive relationships and, for some, suicide.

Bernard Clancy has written a bold and confident narrative featuring strong characters and a moving story of loss and redemption. The script is eloquent and Clancy is courageous enough to avoid political correctness without losing his key message: why do we send men and women off to war when we know the aftermath destroys not just the lives of those that served but families and communities? The script is probably 5-10 minutes too long with some of the conversations with Frank and Trish at the end sounding repetitive; nonetheless, for the most part, this piece has you on the edge of your seat.

Peter Finlay is fearless in this role as Frank. He plays Frank with both a toughness and fragility that exudes a sense that Frank is a bomb about to detonate. His performance is pitch perfect. He is supported by an able cast featuring Joanne Davis, Adrian Mulraney and Mauren Hartley who all give rounded performances and brings heart to this beautiful and tragic piece. Rememberance Day on 11th of November usually passes me by without stopping for a minute’s silence, but after seeing this play it was hard not stop this week to remember that innocent lives are lost in war, on both sides, both those that do not return and those that do. Lest we forget. Unfortunately, we have and governments still send men and women off to war.


Karla Dondio

Karla Dondio is a Melbourne based freelance writer who has been reviewing theatre, comedy, cabaret and other live assortments for five years now.

Share
Published by
Karla Dondio
Tags: La Mama

Recent Posts

Opera Australia’s Sydney Winter season to feature five show-stopping premieres

Neil Armfield’s critically acclaimed opera Watershed to premiere at the Sydney Opera House Date: 14…

14 hours ago

Josh Piterman withdraws from AUSTRALIAN MUSICAL THEATRE FESTIVAL Des Flanagan steps in

It was announced today by Australian Musical Theatre Festival artistic director, Tyran Parke that Australian…

18 hours ago

Joanna Lumley Set To Tour Australia For The Very First Time

The legendary Joanna Lumley will embark on her first ever live tour of Australia, Me…

18 hours ago

In conversation with Audra McDonald: a journey through music, theatre, and advocacy

Audra McDonald, revered for her transcendent performances on Broadway and beyond, is set to enchant…

19 hours ago

Writing Monologues: Crafting Powerful Solo Performances for Theatre

Monologue writing is an integral part of solo performances for theatre. The reason is that…

1 day ago

PARADE – Sydney

Aussie Theatre has 2 x double passes to giveaway to PARADE - Sydney on Friday…

2 days ago