Categories: Reviews

Donna and Damo

Can true love flourish without a pash? Or even a bit of under-the-jumper action? Neither Donna nor Damo care for that stuff and, even though I’m now hopelessly in love with both of them, I can’t imagine more that perhaps going on a nice picnic together or sharing a pizza as we watch the Logies.



MELBOURNE FRINGE 2009

Fringe Hub, Lithuanian Club
Sarah Collins and Justin Kennedy
Wednesday, 30 September, 2009

Can true love flourish without a pash? Or even a bit of under-the-jumper action? Neither Donna nor Damo care for that stuff and, even though I’m now hopelessly in love with both of them, I can’t imagine more that perhaps going on a nice picnic together or sharing a pizza as we watch the Logies.

My favourite show from the 2008 Fringe was Sarah Collins’ extraordinarily beautiful Nothing Extraordinary Ever Happens in Toowoomba. (Ever). This year she has teamed up with Justin Kennedy to write and perform Donna and Damo, and it is just as gorgeous.

Donna is a telemarketer for a glamour photographer travelling through country Victoria, and she’s given up fudge so she can look great when she watches the 2006 Academy Award ceremony with her film blogging boyfriend, Trevor. Damo finds Donna’s work place because someone thought that ‘glamor’ is acceptable spelling, but says he’ll accept ‘photographfix’ if it’s a pun and only if photos are actually fixed. Damo understands the need to fix broken things.

Women whose downfall is chewy chocolaty goodness, blogging critics who take their own opinions too seriously and a freelance spell checker who is offended by any breach of the law of English language: I love this play.

Too close to home content aside, Donna and Damo is exquisite writing. The delightful originality of Collins’ voice (and Kennedy’s) is so lovely that there’s a small part of me seething with jealousy. This is writing that puts story first, refuses to let a bad plot moment exist and has created characters so original and complete that you’d swear you’d met them.

Swapping between direct narrative and their collection of characters, Collins and Kennedy are as irresistible as their creations. Kennedy just has to trust that they really are reaching the hearts of their audience and let his misfits dance.

Delicately directed by Jason Lehane, and with what has to be the best use of an overhead projector ever, Donna and Damo will leave your heart so warm that you won’t have to worry about another Melbourne cold snap.

Bookings: www.melbournefringe.com.au

Until 10 October, 2009

Anne-Marie Peard

Anne-Marie spent many years working with amazing artists at arts festivals all over Australia. She's been a freelance arts writer for the last 10 years and teaches journalism at Monash University.

Share
Published by
Anne-Marie Peard

Recent Posts

Melbourne International Comedy Festival Appoints Dylan Cole as New CEO & Festival Director

The Melbourne International Comedy Festival is pleased to announce the appointment of Dylan Cole as…

11 hours ago

Australia’s first orchestral performance to combine Auslan, live music and technology opens new ways to experience music

Orchestra Victoria and Newmarket Collective will present Across Silence in Melbourne/Narrm this August, Australia’s first…

17 hours ago

Sydney Dance Company presents ‘Current’

Sydney Dance Company presents Current from 3-20 September, inviting audiences into the intimate setting of…

18 hours ago

John Waters joins the cast of FIDDLER ON THE ROOF

Producers of the multi award winning critically acclaimed Fiddler on the Roof have today announced…

19 hours ago

Big hair, bigger heart: Mandy Bishop on bringing Truvy to life in STEEL MAGNOLIAS

Steel Magnolias is a story about the women who hold a community together — six…

20 hours ago

Elizabeth Bennet, reinvented: Teo Vergara on PRIDE AND PREJUDICE (*SORT OF)

Pride and Prejudice (*sort of) is an audacious, pop-song-fuelled retelling of Jane Austen's most iconic…

21 hours ago