Categories: Reviews

Donna and Damo

Can true love flourish without a pash? Or even a bit of under-the-jumper action? Neither Donna nor Damo care for that stuff and, even though I’m now hopelessly in love with both of them, I can’t imagine more that perhaps going on a nice picnic together or sharing a pizza as we watch the Logies.



MELBOURNE FRINGE 2009

Fringe Hub, Lithuanian Club
Sarah Collins and Justin Kennedy
Wednesday, 30 September, 2009

Can true love flourish without a pash? Or even a bit of under-the-jumper action? Neither Donna nor Damo care for that stuff and, even though I’m now hopelessly in love with both of them, I can’t imagine more that perhaps going on a nice picnic together or sharing a pizza as we watch the Logies.

My favourite show from the 2008 Fringe was Sarah Collins’ extraordinarily beautiful Nothing Extraordinary Ever Happens in Toowoomba. (Ever). This year she has teamed up with Justin Kennedy to write and perform Donna and Damo, and it is just as gorgeous.

Donna is a telemarketer for a glamour photographer travelling through country Victoria, and she’s given up fudge so she can look great when she watches the 2006 Academy Award ceremony with her film blogging boyfriend, Trevor. Damo finds Donna’s work place because someone thought that ‘glamor’ is acceptable spelling, but says he’ll accept ‘photographfix’ if it’s a pun and only if photos are actually fixed. Damo understands the need to fix broken things.

Women whose downfall is chewy chocolaty goodness, blogging critics who take their own opinions too seriously and a freelance spell checker who is offended by any breach of the law of English language: I love this play.

Too close to home content aside, Donna and Damo is exquisite writing. The delightful originality of Collins’ voice (and Kennedy’s) is so lovely that there’s a small part of me seething with jealousy. This is writing that puts story first, refuses to let a bad plot moment exist and has created characters so original and complete that you’d swear you’d met them.

Swapping between direct narrative and their collection of characters, Collins and Kennedy are as irresistible as their creations. Kennedy just has to trust that they really are reaching the hearts of their audience and let his misfits dance.

Delicately directed by Jason Lehane, and with what has to be the best use of an overhead projector ever, Donna and Damo will leave your heart so warm that you won’t have to worry about another Melbourne cold snap.

Bookings: www.melbournefringe.com.au

Until 10 October, 2009

Anne-Marie Peard

Anne-Marie spent many years working with amazing artists at arts festivals all over Australia. She's been a freelance arts writer for the last 10 years and teaches journalism at Monash University.

Share
Published by
Anne-Marie Peard

Recent Posts

Opera Australia’s Sydney Winter season to feature five show-stopping premieres

Neil Armfield’s critically acclaimed opera Watershed to premiere at the Sydney Opera House Date: 14…

13 hours ago

Josh Piterman withdraws from AUSTRALIAN MUSICAL THEATRE FESTIVAL Des Flanagan steps in

It was announced today by Australian Musical Theatre Festival artistic director, Tyran Parke that Australian…

16 hours ago

Joanna Lumley Set To Tour Australia For The Very First Time

The legendary Joanna Lumley will embark on her first ever live tour of Australia, Me…

17 hours ago

In conversation with Audra McDonald: a journey through music, theatre, and advocacy

Audra McDonald, revered for her transcendent performances on Broadway and beyond, is set to enchant…

18 hours ago

Writing Monologues: Crafting Powerful Solo Performances for Theatre

Monologue writing is an integral part of solo performances for theatre. The reason is that…

1 day ago

PARADE – Sydney

Aussie Theatre has 2 x double passes to giveaway to PARADE - Sydney on Friday…

2 days ago