Categories: Reviews

Dash and D’Bree Take It – Comedy Festival

As a middle-aged spunk rat who likes to browse the Laura Ashley sales rack at my leisure, Dash and D’Bree are everything I despise about shopping and gen Y; no wonder I adore them.

 Melbourne International Comedy Festival Portland Hotel Friday, 1 April 2011 As a middle-aged spunk rat who likes to browse the Laura Ashley sales rack at my leisure, Dash and D’Bree are everything I despise about shopping and gen Y; no wonder I adore them.
I first wandered into a mall where they worked in 2009. They’ve since been fired from every off-the-rack fash boot in the suburb, but the Dotti Girl Clearance Outlet has two vacancies and the girls might have matured enough to last a whole day.
Katrina Mroz and Haley Butcher created their grotesquely gorgeous duo after meeting at St Martins Youth Arts Centre. Self-involved, ridiculously dressed and dreaming about their ‘totes orig’ song for Australia’s Got Talent, their diet of Aero bars and UDLs keeps them in shape for any karaoke bar, and work would be perfs if the customers wouldn’t bother them.
Satire that doesn’t totes come from understanding is a waste of time. Like the only really funny Adelaide jokes are from people who live(d) in Adelaide, the only peeps who can satirise gen Y with enough love to make it rib-aching funny are those who don’t believe that anyone could live without an iPhone and think it’s cool (people still say cool, right?) to live with your parents in your 20s.
And it’s the twenty-somethings who can’t get enough of Dash and D’Bree. They recognise themselves and are laughing with them. “Oldies” may still be laughing at, but we can see Rod Quantock (over 40s) or Eddie Perfect (over 30s) for our generational in-jokes.
With Wes Snelling at the directorial reins, Take It… is more sketch than story, but this is perfect for an early-evening Comedy Festival show in the bar of a hotel. And there are divine new atrocious song and dance numbers (go just to find out what UDL stands for) and new characters. When they make their tv show (I still think they’re heading towards Kath and Kim status), there will be room for story and for the hint of vulnerability and that is going to take them into everyone’s hearts. 
And if you see me pulling my sequined hot pants out of my camel toe, well you’d better go to Dash and D’Bree’s show and blame them in person. Playing until 10 Aprilwww.comedyfestival.com.au 

Anne-Marie Peard

Anne-Marie spent many years working with amazing artists at arts festivals all over Australia. She's been a freelance arts writer for the last 10 years and teaches journalism at Monash University.

Share
Published by
Anne-Marie Peard

Recent Posts

Full Cast announced for Disney’s HIGH SCHOOL MUSICAL

Hope Mill Theatre and Chris Harper Productions in association with Lowry are delighted to announce…

11 hours ago

Victorian Opera presents The Coronation of Poppea

Drugs, guns and burning lust. Victorian Opera’s striking new production of The Coronation of Poppea…

12 hours ago

Kat Stewart and director Sarah Goodes reunite for gripping Australian drama

One of Australia’s most acclaimed directors, Sarah Goodes (Who’s Afraid of Virginia Woolf, Julia, The…

20 hours ago

Interview with Gary Abrahams

Fresh from presenting Yentl in London and now celebrating the success of Eurydice at forty…

1 day ago

The Tony Awards Are Not About Numbers, They Are About The Story Broadway Wants To Tell

The Tony Awards are never just about who gave the best performance or which production…

2 days ago

30 years in the making, Opera Australia’s milestone tour of a Mozart masterpiece: Don Giovanni

Marking three decades of Opera Australia’s national touring program, the 2026 tour of Michael Gow’s…

2 days ago