Black Faggot Comes Out of the Closet at WFT14
In response to his father’s query why the website “bigblackcocks.com” was in the browser history, he said it was for an assignment “about minority chickens living in a white chicken world and the oppression they face in this Eurocentric context.”
Black Faggot, written by Victor Rodger, is a stripped-back two-hander delving into the issues faced by an array of Kiwi-Samoan homosexuals in contemporary society. It’s a set of interwoven monologues by two incredibly diverse actors (Laheto Ah Hi and Taofia Pelesasa) portraying a myriad of complex characters – from a staunch Samoan homo who’s out and proud to a subversive fa’afafine artist promoting her latest work: Cracker Wanna Poly.
As a winner of multiple awards from the Melbourne and Auckland Fringe Festivals, it was obvious why Brisbane Powerhouse included Black Faggot as a part of World Theatre Festival’s 2014 programme.
Black Faggot doesn’t necessarily enlighten the audience with any new issues (it’s all already eminent in society); however, it explores these issues from a specific cultural perspective. The writing is witty, relatable and accessible to audiences who may not be familiar with this certain context.
Ripe for touring, this minimised production free from costumes, props, music and effects was engaging and showcased some serious acting chops. Ah Hi and Pelesasa were a dynamic combination – their storytelling and comic timing was virtually flawless, baring a truth and believability to every character they portrayed. The constant switching of characters (both male and female) was clear, contrasting and specific.
Pelesasa, in particular, proved a triple-threat as he wowed audiences with his singing and twerking talents. Ah Hi demonstrated some interesting sexual miming and human drumming. Together, these two technically awe-inspiring actors made this seemingly basic production come alive.
Director Roy Ward’s vision must have been as complex and muddled in his mind as the matrix of misunderstandings and perceptions of gay issues in the New Zealand-Samoan community. It was a huge feat to have this play make sense and seamlessly integrate from character to character with minimal production effects.
The staging was excellent – the use of the lights and shadows, levels, and the tango between the actors was engaging and obviously well-rehearsed. There was also a healthy balance of laugh-out-loud and heart-tugging moments, making this play sophisticated and multi-dimensional.
Black Faggot is a must-see for anyone, full stop. It’s engaging, hilarious and pushes the boundaries, transcending any social context. It tastefully addresses serious issues with impeccable satire without losing the honesty of human behaviour.
Black Faggot is playing at Brisbane Powerhouse’s Visy Theatre from 19 to 23 February, as a part of the WTF 2014 Festival.
