Categories: Reviews

Adelaide Fringe: Frank Woodley – Fool’s Gold

Frank Woodley. Image Supplied.

Frank Woodley plays the fool with seemingly little effort. His physicality and bumbling ramblings on the surface may make the superficial feel like they’ve walked into a drunk man’s delusion.  But Woodley’s brand of comedy is much deeper than this and far more whimsical and irreverent.

The Arts Theatre is showcasing a number of Australia’s favourite comedians including Frank Woodley (best known as Lano’s other half, now separated).  A combination of story-telling, play-acting, slapstick and even a bit of magic and calisthenics thrown in, Fool’s Gold meanders for just over an hour without a lull.

Woodley’s skill is leaving a joke to lie… allowing the audience to interpret, absorb and eventually laugh at the punchline – sometimes several minutes later – never milking it (perhaps just squeezing the teat).

Some of it is absurd (a one man re-enactment of a brainstorming session with Hitler and his Nazi party a particular puzzling chuckle), some is heartwarming… some is borderline racist (yet endearingly respectful as only Woodley can be).

Putting all of these elements together, Woodley is unique, a chameleon of comedic performance and a joy to journey with along the meandering stream of consciousness shared with us. There’s a reason he’s an Australian comedic treasure.

Hayley Horton

Hayley was an arts worker in South Australia for twelve years working freelance for small to medium clients as well as for companies such as the Adelaide Symphony Orchestra, State Theatre Company SA, Urban Myth Theatre of Youth and the Australia Business Arts Foundation. As part of her freelance work, Hayley founded the ATG Curtain Call Awards (which is now an annual gala event), co-produced three 24 Hour Show charity fundraiser events, has judged for the Adelaide Fringe Festival and reviewed for Aussie Theatre and the Adelaide Theatre Guide. Hayley now runs a boutique events and arts management business, Footlight Events and in her spare time, is involved with Adelaide’s amateur theatre community as a producer, performer and director.

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Hayley Horton

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