Melbourne’s crowning victory as the cultural epicentre of Australia
The musical &Juliet is set to skip Sydney and move on to dazzle Singapore, highlighting the city’s dire need for more theatrical venues. The disparity between Sydney and Melbourne’s musical theatre scenes stems from a combination of factors, including the availability of suitable venues, strong theatre culture in Melbourne, and competition with other attractions in Sydney.
This award-winning phenomenon, which conquered New York’s Stephen Sondheim Theatre last year, is set to captivate audiences at Singapore’s Sands Theatre come September, after its Melbourne run. Local producer Michael Cassel expressed a desire to bring the show back to Sydney eventually, despite the city’s current limitations.
Melbourne boasts four large commercial theaters in its heart, while Sydney can only claim the Capitol and the Lyric. The Theatre Royal’s 1,100-seat venue pales in comparison, unable to accommodate blockbuster productions. Sydney’s limited venues result from competition with the city’s iconic landmarks, like the Opera House and Harbour Bridge, which overshadow the prominence of musical theatre.
New South Wales’ Arts and Tourism Minister, John Graham, is keenly aware of this cultural crisis. Eager to bolster the city’s cultural tourism, he promises an arts and cultural policy by year’s end, envisioning a West End-style theatre district for Sydney. Cassel applauds this vision, emphasizing the untapped potential for international producers and the benefits for theater owners in Melbourne and Brisbane.
Finally, Melbourne’s government has consistently prioritized and invested in the arts, providing an encouraging environment for theatre productions. In contrast, Sydney has not developed similar policies, contributing to the disparity in the number of musical theatre shows between the two cities.
However, recent efforts by New South Wales’ Arts and Tourism Minister, John Graham, to address this issue and establish a West End-style theatre district in Sydney suggest that the city may soon see an increase in musical theatre productions.
However, & Juliet isn’t the only production that will leave Melbourne without gracing Sydney’s stages. Harry Potter and the Cursed Child will close its doors on July 9, staying true to its Melbourne exclusivity. This pattern reflects Melbourne’s deeply-rooted theatre culture, long recognized as Australia’s cultural capital, as well as the city’s government consistently prioritizing and investing in the arts.
