Driving Miss Daisy – Sydney Season
There are a few different kinds of standing ovations. There’s the perfunctory opening night ovation. The rolling ovation, that picks
Read More
SUBSCRIBE
Sign up to receive our FREE weekly newsletter
Reviews
Adelaide Festival: Doku Rai
Twenty people (from Black Lung Theatre and Whaling Firm, Liurai Fo’er and Galaxy) went to a secluded site in remote
Read MoreA masterful story teller – Guy Masterson’s Animal Farm at Adelaide Fringe
Guy Masterson’s genius lies in his ability to simplify theatre. To make it accessible and enjoyable. Who could imagine Dylan
Read MoreAdelaide Fringe: The Book Of Loco
Written and performed by Alirio Zavarce this autobiographical one-hander looks at how the central character has dealt with the madness
Read MoreAdelaide Fringe: Altar Ego
I cringed a little when Altar Ego began; the wedding dance and accompanying matrimonial images, corny and much too long.
Read MoreKitchen (You’ve Never Had It So Good)
Experimental German/UK theatre group Gob Squad, presented Kitchen (You’ve Never Had It So Good) as part of the World Theatre
Read MoreAdelaide Fringe: I Am My Own Wife
Pamela Munt’s enterprising Bakehouse Theatre plays host to Doug Wright’s Pulitzer and Tony award-winning show I Am My Own Wife
Read MoreThe Secret River – A powerful theatrical piece of Australian history
It is not very often that Australians get the chance to put a mirror up to our history; to reflect
Read MoreAdelaide Fringe: Nightfall with Edgar Allan Poe
Reverb Theatre’s presentation of an abbreviated version of Eric Coble’s Nightfall with Edgar Allan Poe is a generally good amateur
Read More