Reviews

Propel (the next step)

Propel (the next step), presented by Expressions Dance Company (EDC) is a double-bill program showcasing the developing works of emerging…

13 years ago

A Gripping and Gruesome Double-Bill: Bluebeard’s Castle and The Wooden Prince by Béla Bartók

Nearly a century after Bluebeard’s Castle premiered at the Budapest Opera in 1918, in a double-bill with The Wooden Prince,…

13 years ago

It’s a riot: Orpheus in the Underworld – Opera Australia

Opera Australia's Orpheus in the Underworld proves that sometimes the best laughs are the cheapest. When Todd McKenney strikes John Travolta’s…

13 years ago

Adelaide Festival: Itsoseng

The empty Space stage is strewn with rubbish and dirt when writer and actor, Omphile Molusi enters, dragging a big…

13 years ago

Driving Miss Daisy – Sydney Season

There are a few different kinds of standing ovations. There’s the perfunctory opening night ovation. The rolling ovation, that picks…

13 years ago

Adelaide Festival: Doku Rai

Twenty people (from Black Lung Theatre and Whaling Firm, Liurai Fo’er and Galaxy) went to a secluded site in remote…

13 years ago

A masterful story teller – Guy Masterson’s Animal Farm at Adelaide Fringe

Guy Masterson’s genius lies in his ability to simplify theatre. To make it accessible and enjoyable. Who could imagine Dylan…

13 years ago

Adelaide Fringe: The Book Of Loco

Written and performed by Alirio Zavarce this autobiographical one-hander looks at how the central character has dealt with the madness…

13 years ago

Adelaide Fringe: Altar Ego

I cringed a little when Altar Ego began; the wedding dance and accompanying matrimonial images, corny and much too long.…

13 years ago

Kitchen (You’ve Never Had It So Good)

Experimental German/UK theatre group Gob Squad, presented Kitchen (You’ve Never Had It So Good) as part of the World Theatre…

13 years ago