The publicity for The Man Who Planted Trees said variously for ages 2–7 or 7–adult. I hope people read the…
Slutmonster and Friends is a bit like Sesame Street doing porn with Annie Sprinkle, but so divinely filthy and wrong that…
Hannah Gadsby’s latest offering at the MICF Happiness is a Bedside Table is absolutely superb. While it’s riddled with Gadsby’s…
Guest reviewer David Wicks shares his thoughts on The Ensemble Theatre's Frankenstein. I’m probably the wrong person to review Sydney’s…
Action to the Word's production of A Clockwork Orange has divided audiences and it's already being declared genius or drivell. I thought…
Giuseppe Verdi’s La traviata is an odd choice for inclusion in WA Opera’s “2013: Year of the Divo” campaign –…
Bell Shakespeare brings Henry IV kicking and screaming into the 21st century with this marathon of Machiavellian political maneuverings that pit…
The corner milk bar, Ford vs Holden and quarter acre blocks: the suburbs. Mother June frantically worries about the cheese…
Circus training can start very young and if it were compulsory in schools, would contribute not only to good health…
Inspired by vaudeville and film-noir, Trent Baumann (The Birdmann) is a delightful mix of Humphrey Bogart and The Sandman. His…