The importance of blockbusters

The hit show Wicked is in its final weeks in Sydney and as it prepares to head to other states after its long runs in the two major capitals, one question remains: Has Wicked become the next memorable, life-long classic?

The hit show Wicked is in its final weeks in Sydney and as it prepares to head to other states after its long runs in the two major capitals, one question remains: Has Wicked become the next memorable, life-long classic?

I was visiting my parents last night and a family friend was also there, telling me about her upcoming trip to London. She’s just on 60 years of age, and is very much a theatre lover.

Her list of ‘must see’ shows whilst in London included Phantom of the Opera, Chicago and Les Miserables, along with some other older plays and musicals.

There’s no Legally Blonde on the list, no Avenue Q and in reality nothing overly new or contemporary.

Why?

It’s simple – she fell in love with shows like Phantom and Les Miserables during the most recent golden era of musical theatre, and hence has become a life-long fan.

She, like many, has become a permanent visitor to shows like this – they are straight on the must see list, and she’d probably be first in line for Australian-related revivals.

Has Wicked become that show for the current generation?

Opinions on this ‘blockbuster’ are very much divided.

It indeed proved a cultural phenomenon in Melbourne, but in Sydney it was washed away just like any other musical that comes into that city. However, it has held its own for a year and that is a proud achievement.

Its financial success can also not be questioned.

I think the answer to the overall question is yes. Whilst plenty are quick to criticise Wicked, the longevity of the show, its spirited cast its memorable moments have secured it a part in Australian theatre history.

We need shows like this come along every now and again; shows that will ensure that the fans today continue to be fans into the future, and continue to search for a show that is on par with the one they love most.

What we often don’t consider when it comes to whether a show is ‘good’ or not is the impact that result will have on other shows and audiences. One bad theatre experience could very well result in being more careful with the choice next time.

Wicked has ticked all the boxes – what will be the next blockbuster? We need a follow-on, and perhaps a little show about to open in Melbourne will provide it.