It’s busy times like these that I actually wish I did drink coffee. Alas, my metaphorical ones continue…
I am now into my fifth week in New Zealand (my home country), playing the role of Tobias Ragg in New Zealand Opera’s production of Sweeney Todd: The Demon Barber of Fleet Street, which opened over the weekend. A co-production with Victorian Opera, this version directed by Stuart Maunder may be familiar to those that saw it in Melbourne last year.
Long story short, I am having the time of my life.
Long story long, here are some of the things I have experienced over the last few weeks:
Working for an Opera company is something I was quite tentative about. I very much feel like a fraud when my cast members around me talk about their experiences on all the incredible operas they’ve been a part of, while I can only smile and nod politely. Yet contrary to the belief that Opera produces divas, (which is stupid because divas unfortunately exist in every industry in the world), this cast and crew is one of the loveliest groups of people I’ve ever worked with. I think what really stands out to me is the incredible musicianship of everyone. Sondheim certainly doesn’t write ‘Easy Listening’ music, and Sweeney Todd may be one of his most complex pieces yet, but this cast managed to learn it incredibly quickly, with the Sopranos consistently smashing out those Top Z’s like nobody’s business. It only makes me grateful that I (mostly) listened in Derek Bond’s Music Skills and Aural classes at WAAPA.
While there are far fewer variations than I thought there’d be, here are a few differences I’ve learnt about the Opera and Music Theatre world:
Apart from the fact that it is such a wonderfully written role in what may be one of the most brilliant musicals ever created, highlights of this process have included:
With such incredible material to start off with, a really fantastic cast and inspired production team means this process has definitely been one of the highlights of my career so far, and a production I am so grateful to be a part of.
For anyone that happens to be in Auckland, Wellington or Christchurch from the 17 September – 15 October, tickets are available at:
Check out this great video from the production on the New Zealand news site NewsHub
Monologue writing is an integral part of solo performances for theatre. The reason is that…
Aussie Theatre has 2 x double passes to giveaway to PARADE - Sydney on Friday…
Sydney Philharmonia Choirs is thrilled to present the 17th iteration of its world-famous ChorusOz program,…
This year’s tour of international dance sensation BURN THE FLOOR will star the much loved…
Woodward Productions, the creative minds behind the uproarious hit A Very Naughty Christmas, is back…
Disney On Ice presents Road Trip Adventures will whisk families away on an immersive getaway…
View Comments
You are a smart clever talented and gorgeous human, who still looks cute stuffing a pie in his face every show! Gorgeous article. Xx
Great article mate! Wasn't it fun doing Sweeney! Well done on a brilliant operatic debut. Let's do it again some time. :)
Joel, you are avery accomplished performer and singing star I really love your stay. An extra bonus for me is that you are a very handsome guy and I always appreciate handsome, clever guys. Well done. Keep up the good work. Love to you, ❤️