Sonny Clarke

Opera in the Reservoir

Opera in a big house can be distancing for an audience sitting three hundred seats away, squinting themselves blind for…

8 years ago

Review: The Seagull – QTC

How do you take a work that is comfortably described as sociology; accused by some of being a tad dull;…

9 years ago

What’s on for Queensland Symphony Orchestra 2016

I am always surprised at just how excited I am at the launch of a new Queensland Symphony Orchestra (QSO)…

9 years ago

The Stance – Slipstream Festival of Time Based Art

There are some seriously innovative creative happenings going on in Brisbane at the moment and King George Square was one…

9 years ago

The Untouchable Juli

Something sensational is happening in Ipswich; a cultural revolution of sorts at the hands of independent theatre company Fractal Theatre…

9 years ago

Review: Medea at La Boite

A gothic chorus softly sings and chants. It’s dark and ominous, there is a large circle of candles at various…

9 years ago

Enoch Exits QTC bound for Sydney Festival

After five ground-breaking years at the helm of Queensland Theatre Company (QTC), the much loved and respected Wesley Enoch has…

9 years ago

Review: My Love has a Black Speed Stripe

“Love me, love my Holden. I laid that on the line to the missus before we were spliced.” Perhaps a lost…

9 years ago

Review: Samson by La Boite Theatre

Samson was developed by emerging playwright Julia Rose-Lewis during her Artist-in-Residence at La Boite in 2013 and is currently in…

9 years ago