Anne-Marie Peard

Melbourne Cabaret Festival: Sunglasses at night

"We are young Heartache to heartache we stand" If you're now singing and frightened that you remember those dance moves but can't…

12 years ago

Circus Oz: But wait … there’s more

It's impossible not to love a night in the heated Circus Oz tent, and if seeing them in winter in…

12 years ago

Red Stitch: Grounded

See Grounded for Kate Cole's performance or for the writing or to be reminded how theatre can creep into your heart with…

12 years ago

NEON: Resplendence

Angus Cerini scares me. In a good way. In a way that I know his work is likely to disturb…

12 years ago

The King and I, Melbourne

This production of The King and I was first seen in 1991 in Adelaide. It toured Australia and found its…

12 years ago

NEON: Dangerous Liaisons

The second NEON Festival of Independent Theatre opens with the dazzling high-camp, glitter-bright, subversion of Stephen Nicolazzo's Little Ones Theatre. Dangerous Liaisons is…

12 years ago

Last chance to see S in Melbourne

I've seen a lot of circus and a lot of contemporary dance, but I've never seen anything like Circa's S. Premiered…

12 years ago

MTC: Ghosts

Overwrought and underwhelming, the MTC's Ghosts is as haunting as the Luna Park ghost train, but not as fun. The 1880s critics…

12 years ago

Malthouse: Ugly Mugs

Melbourne-based writer and performer Peta Brady is also an outreach worker who knows how people fall through the cracks of…

12 years ago