Sarah Johnson

The role of non-commercial theatre

AmDram: Steppingstone, community service, or just simple enjoyment? There are many reasons people join an AmDram (amateur dramatics) group. Perhaps…

4 years ago

Will live theatre survive in the post COVID world?

Last June the European Theatre Convention (ETC) held its first online International Theatre Conference. Like thousands of others have found;…

4 years ago

Five reasons to enjoy live entertainment

Next time you’re debating whether the time and money of going to the theatre are worth it, you might want…

4 years ago

Is celebrity culture a thing of the past?

The Guardian, the BBC and the New York Times are amongst the many media outlets that are questioning whether the…

4 years ago

Applauding the outdoor theatre

Outdoor productions open doors to new artistic challenges and their inventiveness can create an intimate, informal atmosphere, amazing stage sets…

4 years ago

Is a night ‘out’ at the theatre the solution?

In light of the recent setbacks in Victoria, which was inevitable given the nature of the beast, Australia sits on…

4 years ago

Will streaming replace live performance?

There is definitely an argument to be made for live streaming rather than live performances. But will we end up…

4 years ago

The grave reality of underfunding the arts sector is hitting the global theatre scene

As the coronavirus pandemic continues to devastate the economic landscape around the world, theatres and production companies are falling like…

4 years ago

The importance of managing your brand when creating online content

Almost overnight concert, theatre and music venues were shut down. Those who performed in them were suddenly locked indoors. It’s…

4 years ago