Gabi Bergman

Rowan Witt on Comedy, Chaos and DIRTY ROTTEN SCOUNDRELS

On the sun-soaked French Riviera, appearances are everything — and in Dirty Rotten Scoundrels, nobody plays the game better than…

1 month ago

In Conversation with Jenn Kidwell on WE COME TO COLLECT: A FLIRTATION, WITH CAPITALISM

There are theatre-makers who politely critique capitalism, and then there’s Jenn Kidwell — kicking the whole thing over in heels…

1 month ago

Olivier Award winner Nathaniel Parker to play Professor Henry Higgins in MY FAIR LADY

Producers Opera Australia and John Frost for Crossroads Live today announced that Olivier Award winner Nathaniel Parker will star as…

1 month ago

From the Ensemble to Eliza: Claire Lyon on returning to MY FAIR LADY

Few musicals carry the weight of legacy that My Fair Lady does. Based on George Bernard Shaw's Pygmalion, Lerner and…

1 month ago

Cloning the Self: Chenturan Aran on THE SUPPOSED TO BE

The Supposed To Be arrives as a sharp disruption to the familiar rhythms of migrant storytelling, trading nostalgia for speculative…

1 month ago

FIDDLER ON THE ROOF Announces Australian Cast

Following record-breaking, sold-out seasons in London and across the UK, the multi award winning critically acclaimed Fiddler on the Roof…

1 month ago

Remembering Bobbi-Lea Dionysius

We are saddened to learn of the passing of Bobbi-Lea Dionysius, who died on 15 May 2025, aged 51, after…

1 month ago

A Pirate’s Life for Me! Maxwell Simon on THE PIRATES OF PENZANCE

Few works in the musical theatre canon have endured quite like The Pirates of Penzance. Gilbert and Sullivan's beloved comic…

2 months ago

A Brilliant Mind, A Dangerous Legacy: Brian Lipson on A LARGE ATTENDANCE IN THE ANTECHAMBER

Theatre has long been a space for interrogating the figures history chooses to celebrate — and the ideas society once…

2 months ago