Marney McQueen loves doing character cabaret. But none of McQueen’s characters have ever sashayed off the stage and into real…
The House of Ramon Iglesia sits comfortably in the Old Fitz season, a seemingly odd choice that has settled into…
“Of course, in the very beginning nobody believed that we could do it,” says Michael Flatley. “We’re 20 years long…
John Misto’s The Shoe-Horn Sonata is Sandra Bates’ swan song. In her final year as Artistic Director of the Ensemble…
Welcome to Stage Door Shrink, a regular column penned by Rachel Cole aimed at helping performers chortle their way to…
The House on the Lake, a fine, twisting thriller by Aidan Fennessy, has opened at Griffin's SBW Stables Theatre following…
Sundays, man. Sundays are tough. The working week is calling all over again. But fear not - I'm here to…
“The Doll” is one of those classic Australian plays that has been studied by drama students for decades. Written by…
Actor, screenwriter, librettist and playwright Kate Mulvany is the latest recipient of Sydney Theatre Company's (STC) Patrick White Playwrights' Fellowship. The Fellowship,…
Cabaret season is just around the corner and in Sydney that means the Hayes. Now in its second year, the…