CHIASMUS – Taking Words to the Street

13 years ago

Independent ensemble Four Letter Word takes Melbourne’s theatre subculture underground – literally. Bethany Simons spoke with first time playwright Angus…

AussieTheatre review round-up: highlights from the Helpmann nominations

13 years ago

The nominations for this year's Helpmann Awards were announced earlier this week simultaneously across the states and territories awash in…

Melbourne Cabaret Festival: Lady Rizo

13 years ago

Self-described "chanteuse and torch singer" Lady Rizo demands  attention. It’s not just because of her glamourous ascent to the stage in…

Erin James: Keeping Calm and Going Dry this July

13 years ago

Give me a flute of bubbly in a crowded theatre foyer and I'm the happiest girl in the world. I…

Melbourne Cabaret Festival: Chaplin, A Life. In Concert

13 years ago

As the audience waited for David Pomeranz to appear in Chaplin: A Life. In Concert, a screen showing a photograph of…

The Reluctant Shopper

13 years ago

In the writer/director Bruce Hoogendoorn’s own words, “what if, the government had no money to hand out during a recession?…

Nature of the industry, or should we be producing better musicals?

13 years ago

Sean Bryan wrote this column in response to a piece by AussieTheatre's Editor, Erin James, recently. I hate to say I…

Do You Believe in Aliens? A Quick Chat with Melissa Cantwell Director of Alienation

13 years ago

The artistic director of the Perth Theatre Company, Melissa Cantwell, has been busy this month as she directs the world…

Maureen O’Hara Spends a Quiet Night At Home

13 years ago

A woman, a bath. Maureen O’Hara Spends a Quiet Night At Home, playing at the Judith Wright Centre, is a…

MTC: The Crucible

13 years ago

Arthur Miller's The Crucible was my favourite play when I was 17 and, along with Lillian Hellman, Miller was my favourite playwright.…