Review: The Unspoken Word is Joe, Griffin Theatre Co

11 years ago

The SBW Stables Theatre, home to Griffin Theatre Co, has a bare stage, following, we learn, a recent revival of…

Midsumma: Show Stopper, Reloaded 2015

11 years ago

Agent Cleave is a very sexy glam-punk-pirate/bondage-slave/film-noir-private-dick/femme-fatale/mermaid/Spanish-Jesus in Show Stopper, returned to Melbourne for a limited run at Howler, as…

Accomplice at Javeenbah Theatre Company

11 years ago

Low level sex scenes, partial nudity, mature adult themes, smoking, drinking, and loud noises … No, it’s not a usual…

Bye Bye Birdie a hit: inside Squabbalogic’s Mystery Musical!

11 years ago

We waited in anticipation for Squabbalogic's first "Mystery Musical" and now the cat's out of the bag, we wanted to…

Review: After Dinner, Sydney Theatre Co

11 years ago

Andrew Bovell wrote After Dinner when he was 21 years old, and that’s the most surprising thing about seeing the Imara…

Loving Repeating composer Stephen Flaherty chats exclusively with AussieTheatre

11 years ago

Even if you don't know his name, you know the work of Stephen Flaherty. This New York based composer has…

Strictly Ballroom photo feature

11 years ago

The wonderful Belinda Strodder stopped into Strictly Ballroom in Melbourne to take some incredible shots of this new Australian musical. Starring…

Midsumma: Stop Kiss

11 years ago

Stop Kiss by playwright Diana Son was first seen off-Broadway in 1998. An almost desperate need to appear "real" and naturalistic cause…

Midsumma: The Jacobeans

11 years ago

Bagabus Inc are Hannah Malarski and Jack Richardson. They brought the delightfully dark Bushpig to the Melbourne Fringe in 2013 and are…

Midsumma: The Fastest Clock

11 years ago

The Fastest Clock in the Universe, by UK writer (and perfomer, painter, photographer and director) Philip Ridley, is an exploration…