The return of the award-winning Master Class
The 2014 Melbourne Green Room Award–winning production of Master Class by Terrance McNally opens in Sydney at the Hayes Theatre
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Review: Brandenburg’s French Baroque with Circa
This inspired program is something very special. It brings together the Australian Brandenburg Orchestra, French soprano Claire Lefilliâtre, and seven members
Read MoreReview: Ghost Stories, Sydney Opera House
Really, there’s not a lot I can say about this play. Not because I can’t think of anything to say, but
Read MoreReview: Bajazet, Pinchgut Opera
There’s no doubt that audiences are challenged by double-crosses and deceit of the story told in Vivaldi’s opera Bajazet. But
Read MoreCirca and Brandenburg Orchestra: Music takes flight
It seems at first like an improbable idea, combining circus with the courtly music of the Baroque era. Sure, circuses
Read MoreReview: Like Me, Mongrel Mouth
Like Me, a Mongrel Mouth production directed by Duncan Maurice, is strange. Grotesque. Unnerving. Disorienting. Confronting. And it’s all around me.
Read MoreReview: Triassic Parq, Seymour Centre
“A community in crisis leads to doubt,” the dinosaurs sing. And—they tell us—doubt leads to chaos. As the singing, dancing
Read MoreReview: The Diary of Anne Frank, New Theatre, Newtown
“Despite everything, I believe that people are really good at heart.” This statement—the final words spoken by Anne Frank in
Read MoreB-Girl: A Rock Musical Odyssey, at the Sydney Opera House
“Clifford North” is a name that suggests beige suburbia. But that ordinary name belongs to a splendidly over-the-top glam-rock love
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