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We're worth $1 billion
Thursday, July 30, 9:11pm AEST.

Live Performance Australia (LPA), the peak body for Australia’s live entertainment and the performing arts industry, today announced survey findings that show the industry is worth $1 billion, confirming that despite the global economic downturn, Australians still love to go out and experience a great live show.

Live Performance Australia’s Ticket Attendance and Revenue Survey 2008 released today, showed that the live entertainment market is still strong with revenues exceeding $1 billion. The commercial sector, as expected, continues to lead in terms of total revenue.

While ticket sales declined overall, they returned to 2005 levels, reflecting that 2006 and 2007 were peak years in the current economic cycle.

The largest revenue-generating categories were contemporary music (37 per cent); musical theatre (24 per cent); classical music (10 per cent) and theatre (8 per cent). These four categories accounted for 79 per cent of the total revenue from live performance during 2008.

Chief Executive of LPA Evelyn Richardson said the revenue and attendance figures reflected the continuing strength and dynamic nature of the live performance industry in Australia.

"Spending by Australians on live performance has remained strong," said Richardson.

"These figures are comparable to trends in other major territories around the world, highlighting the fact that Australia has a world-class live performance industry."



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Tribute for Coleman
Thursday, July 30, 9:05pm AEST.

The musical theatre industry will be given the chance to pay tribute to the legendary Ross Coleman tomorrow at a special ceremony at the MTC Sumner Theatre.

The celebration of Coleman's life will take place from 11am.

More details of Coleman's sudden death at the age of 60 have emerged, with new reports suggesting he suffered a heart attack.

Coleman was one of the most respected choreographers in the business and most recently worked on the hit musical Priscilla, which recently transferred to London's West End.

Melbourne radio host Will Conyers, who returns to AussieTheatre.com's Straight To The Point when our new website launches, said the loss of Coleman was huge for the industry.

"There are no understudies, no swings, no dance captain's or ballet masters that can replace the artist no longer on our stage," Conyers said.

"The role has been removed from the play. The new role will be written, of course. But right now, the gap is called Ross Coleman. And what a gap it is."


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Rob Guest Endowment open
Thursday, July 30, 9:01pm AEST.

The theatrical achievements of Rob Guest OBE will be commemorated in an annual competition that will take emerging young performers in musical theatre to Broadway. This year’s inaugural competition has now opened for entries.

ANZ Trustees established the ANZ Trustees Foundation: ANZ Rob Guest Endowment in 2008, in memory of the late Rob Guest, to provide support for talented performers and help kick-start their careers in musical theatre.


The ANZ Rob Guest Endowment will be awarded each year to an emerging musical theatre performer selected by a panel of experts. The Award will each year provide one young performer with funds and training.


Applicants have until August 14 to submit a taped vocal performance. The competition, open to Australians aged between 18 and 30, is for singers, but the judging panel welcomes dramatic and dance elements.


For more information, visit
www.robguestendowment.com.au.


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Theatre and circus unite
Thursday, July 30, 8:52pm AEST.

Magnormos, the leading producer of Australian music theatre, has announced the director and cast for its premiere season of Life's A Circus.

This new Australian musical composed by the acclaimed talents of Anthony Costanzo and Peter Fitzpatrick, will be directed by Kris Stewart, resident director
of Wicked and founder of the New York Musical Theatre Festival.


The cast includes a stunning lineup of Chelsea Plumley (Company, Sunset Boulevard), Glen Hogstrom (Les Miserables, Billy Elliot, Mamma Mia) and Cameron MacDonald (AltarBoyz, Miss Saigon).

"It is a tremendous acknowledgement of Magnormos’ continuing growth for us to be able to attract artists who have worked on Broadway and on the West End, as well as in many of Australia’s most successful commercial musicals,” said Magnormos Artistic Director, Aaron Joyner.

In a thrilling combination of circus and theatre, Life's A Circus is about contemporary love and timeless betrayal.

Vivien (Plumley) and David (Hogstrom) are two Australian performers and friends working overseas on a circus tour, and when the youthful Alex (MacDonald) joins their company, they both realise they may have finally found someone worth risking everything for.

With a cast from both worlds of musical theatre and circus, Life's A Circus is about moments of decision in individual lives - and of points of no return in relationships.

After six years in New York City where he founded and ran the New York Musical Theatre Festival and produced the musical [title of show] on Broadway, Stewart returned to Melbourne in 2008 and Life's A Circus marks his first show here since his return.

"I genuinely think Anthony Costanzo is a real star of the future as a musical theatre composer, and his work – and Magnormos’ work – truly rivals any you would see in NYC," he said.

Having debuted at Magnormos’ annual OzMade Musicals 2008 showcase, Life's A Circus will be presented as part of the Magnormos Prompt! Musicals Program at Theatre Works, St. Kilda from August 3 to 15.

Plumley, Hogstrom and MacDonald join four circus performers as part of the company, and musical direction will be by the composer, Anthony Costanzo, with musical supervision by Kellie Dickerson (Wicked), and choreography by Kate Priddle (NICA).

Costanzo is one of Australia’s brightest musical theatre writers. He has twice been a finalist in the prestigious Pratt Prize for Music Theatre, and in 1995 wrote the winning song for the International Year of Tolerance competition. He has had winning entries in the 1998, 2000 and 2003 ASA National Song-writing Contests, and in 2004 had his original musical Boxed In produced by the Victorian College of the Arts.

Professor Peter Fitzpatrick has an extensive list of writing credits including the screenplays for Brilliant Lies and Hotel Sorrento (AFI award), the novels Death in the Back Pocket and Promentory, and the musical Flowerchildren - The Mamas and Papas Story.


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Death of a legend
Tuesday, July 28, 4:59pm AEST.

Australian theatre is mourning the death of one of its greatest ever choreographers, with the legendary Ross Coleman suddenly passing away.

It is understood Coleman died in his sleep last night. He was 60 years old.

Born in Sydney in 1949, Coleman made his debut as a professional choreographer in the original Australian production of Grease in 1972.

He went on to become one of the most respected choreographers in the business.

His work included
Side by Side by Sondheim, The Rocky Horror Show, Jerry’s Girls, How to Succeed in Business Without Really Trying, Cabaret, Grease - The Arena Spectacular (Green Room Award nomination), Follies in Concert, Love Burns, Trouble in Tahiti, Funny Girl, Call Me Madam, Naked Boys Singing, The Merry Widow (Australian Opera 2005), Shout (2001 Green Room Award Best Choreography), Dusty - The Original Pop Diva (2006 Helpmann Award Best Choreography) and Hedwig and the Angry Inch.

He worked extensively for the Sydney and Melbourne Theatre Companies and also worked overseas.

As a performer Ross is best remembered for his portrayal of Paul in the original Australian production of A Chorus Line.

Most recently, Coleman choreographed the blockbuster hit Priscilla.

The respected theatre administrator Michael Huxley said Coleman was one of a kind.

"He will be missed not only for want he gave but for what he still had left to give," Huxley said.

Huxley trained in ballet at a performing arts training school Coleman once ran.

"It was an extraordinary place where you instantly became one of the industry," he said.

"What I think we learnt from Ross and the extraordinary teaching staff - who all had to be professionals - was both a passion for the industry and  understanding that it was work - hard , demanding, exacting rewarding uplifting work."


The producer David Hawkins called Coleman "one of our greatest ever creatives".


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Millerchip makes it  double
Monday, July 27, 11:59pm AEST.

Sharon Millerchip upstaged Wicked favourites Amanda Harrison and Lucy Durack to claim the Best Female Actor in a Musical gong at the 2009 Helpmann Awards on Monday night.

Millerchip was honoured for her portrayal of Roxie in Chicago. Ironically, Millerchip won the same award in 2001, but on that occasion she was playing Velma.

Wicked didn't win as many awards as experts had suggested but it did take the evening's biggest honour home - Best Musical. Producer John Frost accepted the award on behalf of the entire company.

Wicked won a number of awards, including Best Male Actor in a Supporting Role in a Musical for the late, great Rob Guest. Guest's wife Kellie Dickerson accepted the award on his behalf in an emotional moment at Monday's ceremony.

In what was a technically smoother production than in recent years, the Helpmann Awards featured no real surprises. War Of The Roses won Best Play, while Billy Budd won Best Opera.

Best Male Actor in a Musical went to Billie Brown for Spamalot, while Best Direction of a Musical went to Lisa Leguillou for Wicked.

Wicked also won for Best Choreography and Best Costume Design.

Ewen Leslie took home Best Male Actor in a Supporting Role in a Play for War Of The Roses, while Marta Dusseldorp won Best Female Actor in a Supporting Role in a Play for the same production.

Ben Winspear won Best Male Actor in a Play for Baghdad Wedding while Robyn Nevin won Best Female Actor in a Play for Women Of Troy.

Benedict Andrews won Best Direction of a Play for War Of The Roses as the Sydney Theatre Company made a comeback to award-winning theatre.

Best New Australian Work went to Eddie Perfect for Shane Warne The Musical.

The Helpmanns were, for the first time, held at the Sydney Opera House and the move was a success, with a strong audience response from the ceremony, which was clearly amongst the best in years.

Guests at the awards ventured to the after-party at the Argyle Hotel in The Rocks, where as of 3am on Tuesday morning they were still partying strong. The move to the Opera House and a separate party venue did not appear to phase any of the Helpmann regulars.

The casts of Wicked, Spamalot, Chicago, Avenue Q, Shane Warne The Musical and many others all performed at the ceremony.

Guests included Cate Blanchett, Rob Mills, Matt Lee, Nancye Hayes, Andrew Upton, Lucy Durack, Amanda Harrison, Maggie Kirkpatrick, Sharon Millerchip, Wayne Scott Kermond, Trevor Ashley and countless others.

The Helpmanns were broadcast live on Foxtel's Bio Channel and the pre-broadcast was also filmed and is available via On Demand on Foxtel IQ.

- Troy Dodds, at the Helpmanns



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Revolution is closer
Friday, July 24, 9:18pm AEST.

AussieTheatre.com has confirmed that its brand new website will launch on August 10, with developers putting the finishing touches on the final product over the next two weeks.

The website will be cleaner, crisper and feature more regular updates than ever before.

"At the moment we're in the transfer stage. Think of it as your favourite pub being under renovation - we're still open but things are in a changeover period and the end result is going to be spectacular," said AussieTheatre.com Managing Editor, Troy Dodds.

"We're very excited about the new site and cannot wait until August 10."


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Burke joins La Cage
Friday, July 24, 9:14pm AEST.

The London career of Aussie Simon Burke continues to flourish with the seasoned actor earning a role in La Cage Aux Follies on the West End.

Burke will join the show in September and replaces fellow Australian Phillip Quast in the role of Georges.

A life-long actor, Burke has worked extensively on television and in film but is best known for his theatre work. He has starred in a range of musicals, including Company and in London, The Sound Of Music.


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Hollywood glamour in Melbourne
Friday, July 24, 9:11pm AEST.

Tom Cruise and the Jersey BoysTwo of Melbourne's biggest musicals have been visited by Hollywood royalty in the shape of Tom Cruise and his wife Katie Holmes.

Cruise and Holmes caught a matinee performance of Jersey Boys earlier this month.

Holmes also saw Wicked at the Regent Theatre.

Both Jersey Boys and Wicked have emerged as huge success stories in Melbourne and have become attractions for locals, tourists - and even Hollywood celebrities.

As the accompanying picture shows, Tom Cruise certainly got into the spirit of the occasion.

- Troy Dodds


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Bryant & Frank musical set for Melbourne season
Friday, July 24, 8:59pm AEST.

The brand new musical from Melbourne duo Dean Bryant and Matthew Frank will premiere at Fortyfivedownstairs on September 4, with previews from September 2.

Once We Lived Here is the new musical from the creators of Prodigal and Virgins, and is a funny and touching look at the passing of a way of life. Amy runs "Emoh Ruo", the family sheep station in northern Victoria. She's held onto the property through drought, bush fire and falling wool prices, determined not to let it slip out of the family grasp. But when the family gathers over a scorching long weekend, Amy has to face up to the myths and lies the place has been built upon. Is she holding on or is she stuck?

Once We Lived Here was awarded the Pratt Prize for Musical Theatre Commission in 2006.

Bryant and Frank’s first musical Prodigal was produced at Chapel of Chapel in 2000 (Green Room Award – Best Original Score) and off-Broadway by the York Theatre Company in 2002 – the first Australian musical produced in New York City. Virgins: A Musical Threesome premiered at the CUB Malthouse in 2006 (six Green Room nominations), and toured to New York City later that year, before touring regional Victoria in 2007. Jumpin’ the Q was produced at the Old Fitz (AWGIE nomination). Their adaptation of Sonya Hartnett’s The Silver Donkey has toured the US twice and a collation of their work, All Roads Lead To Home was part of the Melbourne International Arts Festival.

Once We Lived Here stars Esther Hannaford (The Boyfriend, Virgins: A Musical Threesome, Burn the Floor's Floorplay), Sally Bourne (Shane Warne: The Musical, world premiere of Jerry Springer: The Opera), Christie Whelan (Sydney Theatre Award winner for Company, 'Tegrity: Britney Spears Live in Cabaret, Grease), Warwick Allsopp (A Porthole Into The Minds Of The Vanquished, The Jinglists, Steven Spielberg's The Pacific) and Sam Ludeman (Crazy For You, High School Musical).


Bookings: (03) 9662 9966.


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Mathers is Sophie
Tuesday, July 21, 8.03pm AEST.

suziemathers.jpg (12485 bytes)2007 WAAPA graduate Suzie Mathers will make her debut in a leading role later this year after being cast as Sophie in the forthcoming tour of Mamma Mia!, which starts in Sydney in October.

David Somerville has been cast a Sky.

Mathers and Somerville join previously announced cast members Anne Wood, Jennifer Vuletic, Lara Mulcahy, Robert Grubb, Peter Hardy and Michael Cormick.

"One of the thrilling things about the casting process of Mamma Mia! is discovering fantastic new talent for the leading roles," said producer Louise Withers.

"Having been astounded by the level of young Australian talent out there we’re very proud to announce Suzie and David in the roles of Sophie and Sky."

Mathers is currently starring in the ensemble of the musical Wicked in Melbourne.


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Cats returns to Australia 
Thursday, July 16, 11:27am AEST.

John O'HaraAfter 10 years, the most celebrated musical of all time has returned to Australia. Cats - Now and Forever opens tomorrow night at Brisbane's Lyric Theatre, QPAC with previews tonight and tomorrow afternoon.

Starring John O'Hara as Rum Tum Tugger, Shaun Rennie as Munkustrap, John Ellis as Old Deuteronomy and Delia Hannah as Grizabella, the show has acheived critical acclaim in Hong Kong, Singapore, Korea and countless other countries in the Asia Pacific.

"It is wonderful that this production is able to showcase the talent of fine Australian performers while giving Australian audiences of this generation a chance to be involved in a part of musical theatre history." says Resident Director, Stephen Morgante.


The Brisbane season will run until 9th August ahead of an Adelaide season planned for early next year.

Picture: John O'Hara as The Rum Tum Tugger



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Meet our new Elphaba
Wednesday, July 15, 12:00am AEST.

exclusive.jpg (3484 bytes)

Mark down July 15 as the most nervous day in Zoe Gertz's life.

AussieTheatre.com understands that Gertz will play Elphaba at this afternoon's matinee of the hit Broadway musical Wicked. It will be the first time the understudy has put on the green make-up and flown at the Regent Theatre.

Gertz may also play Elphaba at Saturday's matinee, it is understood.

The WAAPA graduate is a part of the show's ensemble cast.

Gertz will be filling in for regular Elphaba Amanda Harrison, who is a 2009 Helpmann Award nominee. Harrison has missed a number of performances over the past month but is slowly returning to the show that has helped make her a household theatrical name.

Photo: Kurt Sneddon


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Wollaston to star in Jekyll And Hyde
Tuesday, July 14, 10:50pm AEST.

Belinda WollastonRehearsals for the upcoming international tour of Jekyll And Hyde get underway next week, with the show to open next month in South Korea. It is likely that the production will come to Australia either late this year or early 2010.

While the lead role/s are being played by American Brad Little, the rest of the cast is mostly Australian.

It features Respect and Shane Warne The Musical Star Belinda Wollaston (pictured) as Lucy, The Rocky Horror Show star Lucy Maunder as Emma and veteran actor Barry Langrishe as Sir Danvers.

It is understood the cast also features Hayden Tee, Andy Conaghan and Juan Jackson.

No Australian dates for the production have been announced.


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Kurt's flash of fame
Tuesday, July 14, 10:14pm AEST.

exclusive.jpg (3484 bytes)

Sydney-based photographer Kurt Sneddon is already known for his great work with local artists, but he is about to be launched onto the world stage thanks to Broadway and cabaret legend Bernadette Peters.

After Sneddon photographed Peters during her appearance at the Adelaide Cabaret Festival, the Broadway diva requested that one of his shots be used as the image for next New York concert.

"I feel so giddy and excited when I think about the opportunities this may open up," Sneddon told AussieTheatre.com

"I'm organising a trip to NY in November to see the concert and meet with Bernadette and Richard again and see what other opportunities may arise.

"One thing I'll say about the whole experience is that success like this doesn't happen overnight or without hard work, but you do have to make the most of opportunities when they come up."


Adelaide Cabaret Festival co-director Lisa Campbell said she was "very proud" of Sneddon, who has essentially become theatre's official photographer over the past few years.


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Tom Lauder passes away
Tuesday, July 14, 10:14pm AEST.

Tributes are pouring in for the veteran Sydney community theatre actor Tom Lauder, who has sadly passed away.

Lauder starred in countless theatrical productions over at least four decades. Records show he starred in a 1969 production of Kiss Me Kate with the Miranda Musical Society. He never stopped performing.

"The curtain has come down on a wonderful life," said Beth Pilley, who worked with Lauder at the Rowe Street Musical Society in the 1980's and later at Chatswood Musical Society.

"No matter where you were you knew that distinctive, warm, resounding voice with the bright eyes of a gentleman who always had a joke or a story to tell."

The President of the Willoughby Theatre Company, Tom Sweeney, remembers Lauder as a true character.

"From my perspective Tom Lauder was a thorough technician and a gentlemen on stage," Sweeney said.


"He prepared his roles thoroughly and never gave a bad performance - his booming voice could be heard all the way to Adelaide and his only transgression was that he loved a little gossip  and a good conversation with the other actors - just as they were about to go on stage!"

- Troy Dodds


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Poppins for Melbourne
Monday, July 13, 5:50pm AEST.

Melbourne has won the right to host a new major production of Mary Poppins, with the show to open at the Her Majesty’s Theatre in July next year.

Produced by Cameron Mackintosh and Thomas Schumacher for Disney Theatrical Productions, tickets for the Australian production will go on sale later this year.

Auditions for the Australian cast will begin in October.

“For years we have been looking forward to bringing Mary Poppins home to Australia an I am delighted to be opening in Melbourne where I have enjoyed so many successes,” Mackintosh said.

“This October we start putting together a great Australian cast to bring the classic story to life on stage. Ever since Mary Poppins opened triumphantly in London and on Broadway, this show has been a labor of love for Thomas and me and next year, we promise that Australia is in for the Jolliest holiday it has ever had.”

Mary Poppins
opened on Broadway in 2006 to applause from critics and audiences of all ages. The production recouped its entire investment in 52 weeks, received seven Tony Award nominations and is consistently one of the top grossing shows on Broadway.

Victorian Premier, John Brumby, is excited about the show premiering in Melbourne.

“It is a real testament to the strength of Melbourne’s reputation that the producers have chosen to bring the show here,” Mr Brumby said.

“The Mary Poppins musical builds on our track record of highly successful events which attract tourism, generate economic benefits and create jobs for Victorians.”


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Showqueen line-up announced
Sunday, July 12, 10:50am AEST.

The line-up for the next two months of Showqueen Sundays in Sydney has been announced. The cabaret concept - run by performer Trevor Ashley - has been a huge success since its launch and has helped keep the genre alive in Sydney.

On July 19, Jackie Loeb will perform alongside special guests Rupert Noffs, Lincoln Hall and Ben Giraud.

On July 26, Jennifer Vuletic presents her one-woman show alongside guests Sophia Ragavelas and Elenoa Rokobaro. A NIDA graduate from the class of 1984, Jennifer has enjoyed a varied career travelling all over the world and working for every major theatre company in Australia. She toured internationally and nationally with the hit show Mamma Mia, playing the role of Tanya, and went straight from that to another hit show, Menopause The Musical which toured all over Australia and New Zealand.

On August 2, musical theatre mainstay Katrina Retallick will perform alongside guests Marissa Dikkenberg and Lucy Maunder.

On August 9, the Showqueen Sundays stage comes alive with a performance by Virginia Gay, joined by special guest Tim Draxl. Gay is a WAAPA graduate and has appeared in Breast Wishes, It Takes Two and charity events such as Light The Night,


One of Australia's best loved performers is on stage on August 16 - Queenie Van De Zandt. She is best known for her extensive work in musical theatre and cabaret. Queenie has played leading roles in dozens of musicals and has been a regular on the cabaret stage.

All shows are on at 8.30pm at The Supper Club. Bookings:
www.moshtix.com.au.

Queenie is currently developing I GET THE MUSIC IN YOU an evening with Jan van de Stool for televison. www.queenievandezandt.com


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New Bobby Darrin musical
Saturday, July 11, 9:24am AEST.

The life of Bobby Darin, the singing star who blazed across the entertainment world in the 1950s and 60s, is to be celebrated in a new Australian musical.

Dream Lover
, the title of one of Darin’s biggest hits, written by John-Michael Howson and his cousin writer/film director Frank Howson, will be workshopped before the end of the year with a scheduled production planned for 2010. Producers are Gilbert Theatricals of Melbourne and Cornerstone International of Los Angeles.

"It all depends on the availability of talent in either Australia or the US. It’s impossible to set a definite date until the wish list is available," said John-Michael Howson.


"The American co-producers are quite open to a workshop being staged in Australia with the show probably premiering in the United States at a later date although I’d love it to open here."

Bobby Darin – born Robert Walden Cossotto – had a meteoric rise to stardom as a pop idol in the late 50s, changed his style to become a Las Vegas icon, was an Academy Award nominated actor and then become a folk singing hit maker before going back to his big band Vegas style.

"He was brilliant at anticipating changes in musical taste and would re-market himself to suit the times," said Frank Howson, who recently finished directing the movie Remembering Nigel in Australia and the US.


"He could sing, dance, act and play a dozen musical instruments and yet he knew his time was short."

Darin had contracted rheumatic fever as a child and doctors didn’t expect him to live past 20.

"Sheer determination and will power and a burning ambition kept him alive until his death at 37 in 1973," Howson said.


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Cutting red tape
Tuesday, July 7, 8:40pm AEST.

Regulatory Reform Minister Joe Tripodi today called on actors, musicians, models, dancers and other performers in NSW to have their say in an important industry review.

"A review by the NSW Better Regulation Office has found that the existing licensing scheme is not protecting performers in the entertainment industry and just creating red tape," Mr Tripodi said.


"We want to make sure performers are getting a fair go and that agents and managers are following the rules.


"The NSW Government has long been a supporter of the arts and we want to encourage our own local talent to make the most of this exciting industry."

The Better Regulation Office and the Office of Industrial Relations have released an Options Paper that seeks to identify alternative ways to regulate the industry and cut unnecessary red tape.


The review aims to ensure that effective protections for performers are in place once licensing requirements are removed.

The NSW Government regulates agents, managers and venue consultants through the Entertainment Industry Act 1989. NSW is the only state that currently requires representatives to be licensed.

Separate to licensing, there are rules around how much commission representatives can charge performers, how they handle money on behalf of performers, and what records must be kept.

"Performers and their managers have a unique commercial relationship, and a number of factors make employment in the entertainment industry a different playing field to more conventional industries," Mr Tripodi said.

"The entertainment industry employs thousands of people in NSW and generates economic activity worth hundreds of millions of dollars a year.


"This is a key employment industry for NSW and we need to get the regulatory framework right so it remains fair and vibrant.

"While industry representatives have a vital role in finding work for clients, safeguards are needed to ensure that our talented actors, musicians and other performers don’t get a raw deal."

The Options Paper is available at
www.betterregulation.nsw.gov.au or www.industrialrelations.nsw.gov.au.


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AussieTheatre.com undergoing major redevelopment
Sunday, July 5, 10:20pm AEST.

AussieTheatre.com is to undergo a major redevelopment, the biggest in its seven year history.

The new-look website will launch no later than August 15 and will include one of the most advanced content management systems in the world, allowing for better, more comprehensive and quicker news stories and reviews.

The site will also feature brand new elements including podcasts and a new, heavily moderated discussion forum aimed at encouraging people to talk about the theatre industry freely and honestly.

"The current design has been a huge success and helped to deliver us our best ever years, but it is time for a huge freshen up and we have developers working on the site as we speak," said AussieTheatre.com Managing Editor, Troy Odds.

"We hope that everyone sticks by us during this transition period - at times it will be a slightly bumpy ride."

Over the next month, the website will continue to run as normal but there will be work underway in the background, which could mean some delays in regular content or the very occasional downtime.

The new website will assist AussieTheatre.com in its mission to remain Australia's leading theatre website.


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Jersey Boys opens in Melbourne
Sunday, July 5, 11:04pm AEST.

The hit international musical Jersey Boys has opened in Melbourne, with a spectacular opening night performance held at the Princess Theatre last night, followed by a lavish after party at the Sofitel on Collins Street.

The opening night performance was greeted by a strong standing ovation, with the show forced to stop several times following a number of brilliantly performed numbers.

Bobby Fox proved a wonderful choice to take the lead role of Frankie Valli, stunning the audience with a breathtaking effort beyond anyone's wildest expectations.

The opening night party was the biggest staged in Australia this year.

Picture: Bobby Fox speaks to the media at the after-party.


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Acclaimed New Zealand theatre company heads to Sydney
Wednesday, July 1, 9:09pm AEST.

One of New Zealand’s most prolific theatre companies, Fingerprints & Teeth Productions, are taking over Darlinghurst’s Tap Gallery in July, with a new production, Cat And Mouse, written by four-time winner of the NZ Young Playwright’s Competition, Thomas Sainsbury.

Roberto works in a bar and meets multitudes of women but nothing can prepare him for Cat. Drunk, desperate and on a failed date, he takes her number through pity and sleeps with her out of lust. A week later he meets Cleo: confident, indifferent, independent – everything Roberto desires. The only problem is Cat and Cleo look, sound…and smell…the same, yet assure him they're different people. As Roberto juggles two passionate affairs with what may be the same woman, he’s about to learn that the game has changed for good – a game that someone has to lose.

Of the new play, director Trent Atkinson says, “The risk with producing ‘smaller’ theatre is that it can tend to think small. What I like about Cat and Mouse is that it explores ideas that are profound in their implications, albeit in a simple way: what would you do if you fell in love with two extremely different people, who look and feel the same?

“With this production, we have two incredible actors playing three characters. They are surrounded by a pared-down set that slowly becomes cluttered, much in the way our protagonist’s memories gradually weigh him down. The fluidity, comedy and pace of the piece give it a modern feel, but the issue at its heart is elemental. Do we ever totally recover from a broken heart?”

Trent has brought together two of New Zealand’s hottest young theatre and TV performers, Stephen Fitzgibbon (The Ten Steps, Honeymooners, Loser, LUV) and Hannah Marshall (All Saints, Shortland St, Diplomatic Immunity, Loser, LUV).

Cat And Mouse
, opening on July 21,, is Sainsbury’s 19th production. At just 26, he has already penned some of New Zealand’s most highly-acclaimed plays. Previous works include The Basement, Luv, Loser, Main Street, Gas, The Mall, The Feminine, Beast and Caustic.



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Carstairs prepares for theatre debut
Tuesday, June 30, 10:09pm AEST.

lonesome.jpg (15876 bytes)Film director Peter Carstairs (September) is about to make his theatre debut, with the hilarious black comedy The Lonesome West – the third work in Martin McDonagh’s famous Leenane Trilogy – opening at Belvoir St Downstairs Theatre on August 21.

The Connor brothers have been fighting since before they could walk. Valene collects religious figurines, obsessively, and Coleman attends funerals for the vol-au-vents and sausage rolls. They’ve just buried their dear father who died under suspicious circumstances – which is not so surprising in the “accidental death capital of the world”.

The melancholy, alcoholic parish priest attempts to teach the siblings the meaning of love and forgiveness, but he has limited success. Set against the bleak backdrop of the west coast of Ireland, a darkly funny, disturbing and explosive tale ensues.

With a brutally acerbic, yet extraordinarily compelling script, which is performed in dialect, there could be no two performers better suited to the roles of Coleman and Valene Connor, than Travis Cotton (My Year Without Sex, My Arm, Vigil) and Toby Schmitz (Ruben Guthrie, Travesties, Rabbit). Then, to round off an already stellar cast, B Sharp is thrilled to welcome Sibylla Budd (Yibiyung, Ray’s Tempest, The Secret Life of Us, The Bank) to the Downstairs stage for the first time. Jacob Nash – of Ruben Guthrie acclaim – is designing the production.

Director Peter Carstairs’ film September was in the official selection at both the Berlin and Toronto International Film Festivals, and was screened at the 2009 Cannes Film Festival in the Cannes Forum. Before that, Carstairs made a string of award-winning short films including Gate, starring Joel Edgerton.


"The Lonesome West is viciously funny but, at the same time, very human. It’s ultimately a play about forgiveness and our individual need to connect with each other; to love and be loved… McDonagh really is one of the most exciting writers around so, naturally, I’m thrilled to be doing the play – especially because it’s the first time it’s been done in Sydney," Carstairs said.

Martin McDonagh is renowned not only for his plays, but also films – in 2008 he received a Best Original Screenplay BAFTA and a Best Original Screenplay Oscar Nomination for In Bruges. The first production in McDonagh’s Leenane Trilogy – The Lieutenant of Inishmore – played with much bravado in the Upstairs Theatre in 2003. His pitch black comedy The Pillowman sold out in the Company B 2008 Season.

The Lonesome West
is being produced by Arts Asia Pacific, a company which has a history of producing and touring large scale work within Asia. In 2009 AAP has been extremely active in Australia, co-producing the world premiere of Australian musical Metro Street by Matthew Robinson, as well as the Australian premiere of Broadway hit Avenue Q; which has played to great acclaim in Melbourne, and will open in Sydney on August 12 at the Theatre Royal.

Torben Brookman, Managing Director of Arts Asia Pacific, said: "Arts Asia Pacific is thrilled to be working with Peter Carstairs and an amazing cast and creative team on The Lonesome West. Arts Asia Pacific is committed to the development of the performing arts in Australia, and working with companies like Company B, through the B Sharp season, is a great way to showcase the incredible work of the next generation of Australian directors, designers and performers."


The Lonesome West previews on August 20 ahead of its August 21 opening night. It is scheduled to run at the Belvoir Street Downstairs Theatre until September 13.

Bookings: (02) 9699 3444.



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Rigby excited as Jersey Boys nears
Tuesday, June 30, 6:29pm AEST.

Jersey Boys producer Rodney Rigby says he cannot wait for the show to officially open at the Princess Theatre in Melbourne on Saturday night and with the overseas creative team now in Australia, all is in readiness for the big night.

Rigby said preview performances have been well received.

"The work in the rehearsal room has been great from day one," he told AussieTheatre.com.

"There is no compromising with the casting of Jersey Boys anywhere in the world and the same goes for Melbourne."

Rigby would not confirm if the show would tour beyond Melbourne, saying he is simply focused on the premiere season.

While the Four Seasons-based musical faces tough competition from Wicked and Avenue Q, Rigby said it all makes for a fruitful market.

"There's been a lot of great shows and great stories on stage in Melbourne this year," he said.

"People are going to the theatre, there will always be competition, but the people are coming."

Reports out of Melbourne are that Bobby Fox - who will apparently miss tonight's preview performance - is simply stunning in the lead role.

"The work of the four guys is just incredible," Rigby said.

"In Bobby's case, he is on stage all but a few minutes for the entire show - it takes a special performer to do that."

Jersey Boys opens in Melbourne on Saturday night.

AussieTheatre.com's Troy Dodds will be in Melbourne for the opening night, with comprehensive coverage following the first performance and the show's exclusive after party.


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Actor's Centre graduates on show
Monday, June 29, 10:23pm AEST.

As the audience waits in a small, cosy foyer, we can hear 23 young actors complete their vocal warm ups and focus exercises. The attendants usher us into a converted church hall theatre space, where we come face to face with the newest personalities in the business: The Actor’s Centre Australia’s (ACA) Graduating Class of 2009.

R-E-S-P-E-C-T -  you have to hand it to them! As the famous Aretha Franklin tune blares throughout the theatre, these 23 students begin to strut their stuff. They are showcasing two and a half years’ work … all that they have learned in a full time acting course which strips them bare, reconstructs the way they approach their craft and prepares them for an ever changing industry.


After a 75 minute showcase of monologues and scenes (and one beautiful song from the musical Ragtime), the graduates are buzzing with excitement. The first of 7 performances is over and they have a lot to be proud of.

For the better part of the last 5 weeks, The Actor’s Centre Australia (ACA) class of 2009 have been sifting through material from countless plays and films in order to find the perfect scripts to present in their graduation performance. And find them they did! Every student shines. Directed by ACA’s creative director and founder, Dean Carey and also by Simon Hunt, the showcase demonstrated the students’ love of their craft, and a passion for the arts.

A love shared by fellow alumni and patron of the college, Hugh Jackman: "ACA lit my passion for the craft and the fundamentals I learnt here are a huge part of the foundations I take to work with me every day.”


The school’s mission statement partly entails providing an “environment dedicated to possibility and achievement”. The showcase itself displayed achievement, but it is the students who are creating possibility through creating their own projects.

Luke Carson, who hails from Newcastle originally, is one of the many graduates who speak of creating their own work once ‘school’s out’. “I have been writing some short film scripts and I hope to finish them and start producing them”. Other students talk of their hopes to put on plays and other shows in the coming months.

Jennifer Williams, another graduate, speaks of her desire to create her own works, irrespective of the outcomes of showcase. “We have to take it as it comes. No-one is sure what kind of effect the global financial crisis will have had on the industry (but) there are a few things I want to put do, creatively in the next few months. We have to try and not stress, relax and just be positive.”

Carson echoes these sentiments and adds:  “I have learned to have confidence and belief in my own ability.” He also tells how the students have been very well supported at the Actor’s College and while he will miss the comfort of school, he will approach the industry with openness rather than tension and anxiety.

Ladies and Gentlemen (drum roll please…) please make welcome the newest and freshest faces in the industry – the Actor’s College Australia’s graduating class of 2009.

- Erin James


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Wicked scores 12 nominations
Monday, June 29, 7:15pm AEST.

Hit musical Wicked is set to sweep the 2009 Helpmann Awards, with the show scoring an incredible 12 nominations - including one for the late Rob Guest, setting up what could be the best possible tribute to a treasured theatrical veteran.

Both Lucy Durack and Amanda Harrison have been nominated in the Best Female Actor in a Musical category, while in Best Musical Wicked faces competition from Shane Warne The Musical, My Fair Lady and Spamalot.

Spamalot has a total of four nominations in what is the major surprise of the 2009 Helpmanns. The show opened in November 2007 - before several shows that were nominated last year - and did not play in the most recent Helpmann season.

While there is obviously provision for this in the rules, questions will be raised about the precedent such a move sets and why other musicals - including Matthew Robinson's Metro Street - were overlooked for Best Musical.

However, there is no 2008 Hatpin-style snubbing of Metro Street, with the show earning five nominations from its Adelaide season, a huge honour for its creator Robinson and a good sign for the show's future.

In fact, Australian musicals are well-honoured this year.

Shane Warne The Musical has several nominations, including one for Eddie Perfect for Best Male Actor in a Musical, while Todd McKenney is nominated for his work in the revival of Priscilla.

Two Sydney Theatre Company productions appear in the line-up for Best Play - The War Of The Roses and Women Of Troy, alongside Ivanov and The Gatz.

SEE THE FULL LIST OF NOMINEES HERE

The 2009 Helpmann Awards will be held on Monday, July 27 at the Opera Theatre, Sydney Opera House, whilst the After Party will be held at The Argyle in The Rocks.

Jonathan Biggins and Julia Zemiro, both acclaimed actors, broadcasters and comedians, will jointly MC the awards ceremony.

Zemiro hosted the pre-broadcast last year.

The ceremony will include performances by the casts of Avenue Q, Candy Man, Chicago, Jerry Springer – The Opera, Shane Warne - The Musical, 7 Fingers and Wicked, as well as performances from The Australian Ballet, Sydney Dance Company and Opera Australia.

LPA's Chief Executive, Evelyn Richardson, said: "The Helpmann Awards are the pinnacle industry event for Australia's live performance industry, recognising the very best in live performances that annually attract over 20 million people to shows across the nation with revenues of over $A1.2 billion, and growing."

The Helpmanns will again be broadcast live on pay television, with the Bio Channel to air the ceremony from 8.30pm. There will be a pre-broadcast section of the ceremony that will not be aired.

RELATED COVERAGE
Live Chat: Talk about the nominations now
Full list of 2009 Helpmann Award nominess
News: Rob Guest nominated
News: Cate Blanchett up for award



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Blanchett scores nomination
Monday, June 29, 7:15pm AEST.

Oscar winner and Sydney Theatre Company Artistic Director Cate Blanchett has been nominated for a Helpmann Award for her work in the company's production of War Of The Roses.

Blanchett is nominated alongside fellow cast member Pamela Rabe, Blackbird's Alison Bell and Robyn Nevin from The Women Of Troy in the Best Female Actor in a Play category.

In total, War Of The Roses scored an epic 10 nominations, including for Best Play.

The War Of The Roses spans almost 100 turbulent years of English history by condensing and distilling eight of Shakespeare’s interrelated history plays. From the elegance and melancholy of Richard II through to the barbarity and catastrophe of Richard III, The War Of The Roses was adapted by the Sydney Theatre Company for this year's Sydney Festival by Associate Director Tom Wright and internationally lauded director Benedict Andrews.

The production features the STC Actors Company in their final production as a culmination of three years working together, joined on stage by Blanchett and the renowned actor Robert Menzies.

Renowned for his distinctly bold interpretations of classic texts, The War Of The Roses follows Benedict Andrews’ collaboration with the STC Actors Company for one of its most successful productions, the award-winning 2007 production of Patrick White’s The Season At Sarsaparilla.


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Guest nominated for Helpmann
Monday, June 29, 6:31pm AEST.

Amanda Harrison and Rob GuestThe legendary Rob Guest has been nominated for a Helpmann Award, setting up what could be the ultimate tribute to a treasured theatrical veteran.

Guest, who died suddenly late last year, has been nominated for his work in the hit musical Wicked.

The show's producer, John Frost, had exclusively campaigned on AussieTheatre.com for Guest to be nominated.

Guest, 58, suffered a massive stroke in October and died 24 hours later, with his family and partner Kellie Dickerson by his side. Dickerson is the Musical Director on Wicked.

Guest, one of Australian theatre's most legendary talents, is nominated in the Best Male Actor in a Supporting Role in a Musical category, alongside Damien Bermingham, Robert Grubb and Derek Metzger.


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Chicago to close August 9
Sunday, June 28, 10:40pm AEST.

The smash hit musical sensation Chicago will close at Sydney's Lyric Theatre on August 9.

Ironically, it is the same night that producer John Frost's other show, Wicked, will close in Melbourne.

This acclaimed production celebrated its 100th performance last week, and tickets for the final three weeks go on sale on Monday. Sydney has taken Chicago to its heart, with sell out performances, daily standing ovations and glowing reviews for its stellar cast.

“I was certain it was the ideal time to revive Chicago, especially with the extraordinary cast we had assembled,” Frost said..


“The overwhelmingly positive response from audiences and the stellar critical reviews have proved me right. This is a perfect musical for our times. Thank you Australia for taking Chicago to your heart, and I hope Sydneysiders race to the box office to get the final release of tickets so they don’t miss out.”

The show transfers to Melbourne once its Sydney season ends.


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Calendar Girls coming
Sunday, June 28, 4:32pm AEST.

John FrostAustralia’s leading theatre producer John Frost (pictured) today announced he will produce the British hit comedy Calendar Girls in Australia in 2010.

Calendar Girls, by Tim Firth, is currently playing to sell-out houses at the Noel Coward Theatre on the West End following the success of the fastest-selling regional tour in British theatre history. Audiences have been effusive in their praise for the play and its ensemble cast. Calendar Girls will open in Sydney and Melbourne early next year, with auditions beginning this week.

Calendar Girls is based on the very successful film of the same name starring Helen Mirren and Julie Walters, which in turn was based on an uplifting and inspiring true story that is quirky, poignant and hilarious. A group of extraordinary middle-aged women, members of a very ordinary Yorkshire Women’s Institute, spark a global phenomenon by persuading one another to pose for a charity calendar with a difference! As interest snowballs, the Calendar Girls find themselves revealing more than they'd ever planned...

UK Producer David Pugh has wanted to turn the story into a play since first hearing about it. He said: "I dashed up to Yorkshire, armed with bunches of flowers, to try to persuade them it would make a great play. But they told me there was at least one film on the way so I knew I had no chance. When Tim asked me if I wanted him to adapt the film for the stage I had to say yes. It is such a lovely story."

John Frost, David Pugh and Hamish McColl will be conducting auditions this week with actresses “of a certain age” from across Australia.



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